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Faculty of Arts and Celtics Studies' Department of History of Art

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Dalí: Surrealism, Psychoanalysis and the Paranoiac-Critical Method

Damian Ruddy
​University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.A.

Subject: Painting
Country: Spain
​Period: 20th Century

Albers : Investigating the Semiotic World of Josef Albers’ Art

Katherine Quinlan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.A.

Country: Europe and U.S.A.
​Period: 20th Century

‘A Quest for Neo-Primitivism’

Fiona O’Keeffe
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.A.

Subject: Art Movement
Country: Russia
​Period: 20th Century

‘Poet with a Camera: Walker Evans and Documentary Photography in the Great Depression’

Laraine O’Connell
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.A.

Subject: Photography
Country: U.S.A.
​Period: 20th Century

Opening Up the Streets: A Relational Account of the Murals of Northern Ireland

Catherine McEntee
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.A.

Country: Northern Ireland
​Period: 20th Century

Appropriations: Classical Mythology in Irish Art Since 1945

Bébhinn Egan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.A.

Country: Ireland
Period: 20th Century

“Hand to the Friend, Fist to the Foe”: From Brotherly Hand Shake to Militant Clenched Fist

Maureen Lynch
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Shopfronts and Window Display in the Work of J.M. Whistler, Otto Dix, Eugène Atget, & Richard Estes

Valerie King
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2008
M.A.

Country: Europe and America
Period: 20th Century

‘The Politics of Public Art Commissioned for Social Housing Regeneration Programmes in Ireland’

Maureen Considine
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2008
M.A.

Country: Ireland
Period: 20th Century

‘Mexican Muralism in the 1930s; Beyond Revolution and the Pre-Columbian’

Emma M. Rowe
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2007
M.Phil

Country: Mexico
Period: Early 20th Century

Supervisor: Dr. S. Kriebel

Colour and System: A Comparative Study of Henri Matisse and Wassily Kandinsky

Mary Moakley
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: France, Germany and Russia
Period: 20th Century

Through a Glass Darkly: Ideology and Representation of the Aryan in Nazi Aesthetics

Grattan Keating
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: Germany
Period: 20th Century

Supervisor: Dr. Krema

Exhibiting the Feminine: The Female Experience Explored through three Feminist Exhibitions

Nicola Holly
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: U.S.A. and Ireland
Period: 20th and 21st Century

The Myth of the Primitive:Artistic Response to late 19th & early 20th Discourses on the Primitive

Mary Ellen Cronin
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: Germany and France
Period: 20th and 21st Century

Mecha’s Apocalypse: Significance of the Mechanoid in Japanese Post-Apocalyptic Science Fiction Anime

Janina Mathews
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Subject: Japanese Anime, Japanese Culture and Cybrogs
Country: Japan
Period: 20th and 21st Century

‘What you see is what you get’ The Performance of Self in the Work of Sophie Calle

Sinéad Donnachie
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: France and U.S.A.
Period: 20th and 21st Century

Performance Art: The Role of Bodily Signification in the Performance of Amanda Coogan

Caroline Clancy
University College Cork 
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: Ireland
Period: 20th and 21st Century

Threatened Spectatorship: The Installation Art of Bruce Nauman and Janet Cardiff

Jane O'Connor
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: U.S.A. and Europe
​Period: 20th and 21st Century

Through the Eye of the Beholder

Kirstie North
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: UK focus, Europe
​Period: 20th and 21st Century

George Grosz’s Guide to Dissolute Berlin:Drawing an Incisive line through the Facades of Weimar Rep.

Jean O'Donovan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: Germany
​Period: 20th Century

The Taxonomy of Line in the Becoming of the Merzbau

Gemma Carroll
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
M.A.

Country: Germany
Period: 20th Century