The vision of the Irish Georgian Society is to conserve, protect and foster a keen interest and a respect for Ireland’s architectural heritage and decorative arts. These aims are achieved through its scholarly and conservation education programmes, through its support of conservation projects and planning issues, and vitally, through its members and their activities.
The Irish Georgian Society launched the 2022 Architectural Conservation and Original Drawing Awards sponsored by John Paul Construction in the Spring, receiving a total of 20 applications across the two categories. The Awards are open to Irish architects and architectural practices, building surveyors, contractors, engineers, and other professionals involved in the conservation of historic buildings on the island of Ireland.
The judging panel consisting of Livia Hurley (Chair), Karen Latimer, Simon Lincoln, Frank McDonald, and Kevin V Mulligan, met in May to reduce the 16 applications for the Architectural Conservation Project category to a shortlist of nine projects. The panel gained Andrew Tierney as additional panelist for the shortlist tour which they completed at the end of August.
Please join us as we announce the winner of the 2022 Architectural Conservation and Original Drawing Awards at a reception hosted at the City Assembly House on Thursday 20 October at 6:30pm.
Congratulations to the shortlisted projects:
Alistair Coey - Gunpowder Store in Donaghadee
Howley Hayes - Carlingford Castle in Carlingford & 9 Merrion Square in Dublin
Fingal County Council - Casino Railway Museum in Malahide
Lotts Architecture - Riverstown House in Kildangan
FMP Architects - Honan Chapel UCC in Cork City
ACP Architectural Conservation Professionals - Dunraven Fountain in Adare
O'Neill Architecture - ONA Farmhouse in Nenagh
Office of Public Works - Gate of Justice at Dublin Castle
IGS stand at Timeless: The Irish Antique Dealers’ Fair 2022
01.09.2022
Posted by IGS
The IGS is delighted to announce that it will once again have a stand at the Irish Antiques Fair in the RDS from 23rd – 25th September 2022. An invitation to attend can be downloaded from the following link and entitles the bearer plus one guest free entry to the event: Timeless 2022 invitation
Sir, – The recently featured article on the sale of lands immediately to the rear of Castletown House, Co Kildare, raises great concerns for the future protection of one of the most architecturally significant buildings of Ireland’s Georgian period (“Celbridge landholding with ‘future development potential’ for €5 million”, July 6th).
The Irish Georgian Society has called for the State to bring the lands into public ownership through the Office of Public Works and so forever safeguard the setting of Castletown.
The urgency of this is illustrated in the marketing materials for the site that were highlighted in The Irish Times article which suggests they have a “future development potential”. It should be noted that this is entirely aspirational as the lands are currently zoned for open space and amenity and which, given their proximity to Castletown, is an objective that should never be changed.
In purchasing Castletown in 1967, Desmond Guinness acquired 120 acres to the front of the house “so as to preserve them” and in doing so provided a protective envelope that secured its setting and protected views extending to the south. While some housing was subsequently built, the greater part of the historic demesne remains intact. This is a testament to the success of Desmond’s vision and the subsequent custodianship and management of Castletown by the Castletown Foundation and by the Office of Public Works.
Extending the State’s ownership of land in the Castletown demesne would not just protect the setting of the house but would also greatly enhance the amenity value of its parklands. It is noted that Castletown House & Parklands was the fifth most popular visitor destination in Ireland in 2019 attracting 965,632 visitors. This additional landholding would present opportunities for visitors to further explore and utilise the parklands to the rear of the house and would facilitate and secure the current access route from the M4 motorway. As one of the most important historic buildings in Ireland, it is incumbent on all with an interest in and responsibility for our heritage to ensure that Castletown House is protected for the present and for future generations. Ever since the demesne was broken up in the 1960s there have been aspirations to reunite the house with its historic landscape. It seems that now, after over 50 years, a golden opportunity has arisen for the State to achieve this. – Yours, etc,
Dublin's Heritage Buildings Show launched by Minister for Heritage, Malcolm Noonan
17.06.2022
Posted by IGS
Minister for Heritage Malcolm Noonan, TD officially launching the Dublin's Heritage Buildings Show in Merrion Square Park, Dublin, Saturday 11th June 2022
The Irish Georgian Society wishes to thank all those who made the Dublin’s Heritage Buildings Show in Merrion Square park on Saturday 11th & Sunday 12th June 2022 such a success.
We wish to thank our partners, Dublin City Council’s Conservation and Heritage Offices, in particular Charles Duggan, Heritage Officer and Niamh Kiernan and Mary McDonald,Architectural Conservation Officers, and Sarah Halpin and Mary-Liz McCarthy, Conservation Research Officers, as well as DCC’s Department of Parks and Biodiversity for hosting us in Merrion Square Park. The Dublin’s Heritage Buildings Show is an action of the Dublin City Strategic Heritage Plan, and was part-funded by the Heritage Council’s County Heritage Plan Grant Scheme.
The exhibition was formally launched at noon on Saturday by Minister Malcolm Noonan, TD, Minister of State for Heritage with Lord Mayor Dr Alison Gilliland, Councillor and IGS Vice President, Camilla McAleese.
Together they praised thehighly skilled traditional building skills craftspeople who agreed to give over their weekend to demonstrate at the Dublin’s Heritage Buildings Show and promote the importance of using appropriate traditional methods and materials in the conservation of our built heritage.
Over two dozen craftspeople actively demonstrate key traditional building skills needed for the conservation of old buildings including: sash window repairs, stained glass & fanlight conservation, stone carving, dry stonewall construction, use of lime-based mortars and hemp; brick pointing; brick making; decorative plasterwork; ironwork, slate roofing, gilding and wallpaper making.
In tandem with the traditional buildings skills demonstrations and visits to cultural institutions on Merrion Square there were a series of walking tours focusing on the architecture, designed landscape and conservation of Merrion Square and its environs.
The Irish Georgian Society wishes to thank everyone who opened their doors and lead tours, in particular; James Howley, FRIAI; Kieran O'Brien, Director, Grafton Architects; Rob Goodbody, local historian, planner and conservationist; Jeffrey Jones, DCC gardener; Graham Hickey, Conservation Director, Dublin Civic Trust; Eamonn Kehoe, Director, Shaffrey Associate Architects; Kevin Blackwood & Alice Bentley, Kevin Blackwood Associate Architects; Aideen Ireland, Committee member, RSAI; Laura Conlon, Senior House Manager, Notre Dame; Seán Potts and Iarfhlaith Ó Dómhnaill, ITMA team members; Simon Lincoln, Exhibitions & Outreach Officer, IAA; Martin Burns, Creative Director, Oscar Wilde House.
Additionally, the Society would like to thank all those who delivered the series of architecture, conservation and designed landscape lectures on Sunday 12th June: Shona O'Keefe, Chairperson, SPAB Ireland; Shane Nolan, BLFI Committee Member; Colm Murray, Architecture Officer, The Heritage Council; James Howley, Howley Hayes Cooney Architects; and Damian Murphy, Architectural Heritage Officer, NIAH.
On Saturday 11th, for younger attendees to the Dublin's Heritage Buildings Show, there were Cruinniú na nÓg children’s workshops. This was a wonderful facet to the show and we greatly appreciate the time invested in preparing and delivering the workshops on stone carving by Philp Quinn of Stone Mad; wallpaper making by David Skinner of Skinner & Sons; fanlight making by Liam McCorkell of Glasshaus Studios; gilding and stencilling by Ruth Bothwell of Decowell; traditional joinery techniques by Sven Habermann of Letterfrack Conservation; and lime rendering by Edward Byrne of The Traditional Lime Company.
It was fantastic to see the high level of engagement and participation at these ancillary Dublin’s Heritage Buildings Show events, as well as the enthusiasm and appreciation of the public who visited the exhibition over the course of the weekend to receive free, accurate and impartial advice on traditional methods and materials needed to best conserve their Dublin heritage buildings.
The Dublin's Heritage Buildings Show represented a coming together of the conservation community: state; semi-state; non-governmental organizations; and independent conservation practitioners and professionals. Without all these stakeholders' generosity and support it would not be possible to deliver the exhibition and allied activities.
Critically, the last word of thanks goes to the Dublin's Heritage Buildings Show funder: The Heritage Council; the Department of Housing, Local Government and Heritage; Creative Ireland; the Upper Leeson Street Area Residents Association; and the South Georgian Core Residents Association.
In Harmony with Nature, the Irish Country House Garden 1600-1900
06.04.2022
Posted by IGS
The Irish Georgian Society presents
In May 2022, the IGS will explore the history of the Irish Country House Garden at the City Assembly House, Dublin, with the launch of In Harmony with Nature: The Irish Country House Garden 1600-1900. Alongside this unique exhibition, Stepping Through the Gate: Inside Ireland’s Walled Gardens will return to the walls of the O’Connell Room, and feature specially commissioned paintings of Irish Walled Gardens by four leading artists. Curated by Robert O’Byrne, former vice-President of the IGS, both exhibitions are not to be missed and will be of exceptional interest to anyone with an interest in Irish gardens and gardening. The Exhibition will be open to the public from 20th May to late July, Tuesday-Sunday (10am-5pm).
In Harmony with Nature: The Irish Country House Garden
While the changing landscape of the Irish countryside has been extensively examined in recent decades, the evolution of gardens attached to country houses remains under investigated.
This exhibition will explore the history of the Irish Country House Garden using paintings, engravings and photographs as well as film and other media creating an exciting, engaging and informative experience.
It will open c.1600 with sites around castles and fortified houses such as those at Lismore, County Waterford and Portumna, County Galway, and it will end with two great island gardens created just before the First World War: Garnish, County Kerry and Lambay, County Dublin.
The exhibition will consider what makes our gardens different from those found in other countries. What plants were favoured during which eras? Who were the most significant plantsmen and women? What role did owners play in laying out a garden? Who were the most important gardeners? What new species were introduced to Ireland, especially in the 19th century?
Stepping Through the Gate: Inside Ireland’s Walled Gardens
Walled gardens have a long history going back millennia having often simultaneously served not just as places to grow fruit and vegetables, but also areas of privacy and of protection from intemperate weather conditions.
This exhibition will feature fifty specially commissioned paintings of Walled Gardens by four distinguished artists: Lesley Fennell, Andrea Jameson, Maria Levinge and Alison Rosse.
All four artists are active gardeners and are people who understand plants. Alison Rosse and her husband inherited responsibility for one of Ireland’s finest demesnes at Birr Castle which includes superlative walled gardens laid out by his late parents. Lesley Fennell can take credit for creating a truly lovely garden at Burtown, County Kildare. Together with her two sisters, at Tourin, County Waterford, Andrea Jameson ensures that the walled garden remains as productive as ever, while Maria Levinge, having moved house a few years ago, embarked on establishing a new garden in County Wexford.
Paintings in the exhibition will be available for purchase.
Digging New Ground, the Irish Country House Garden 1650-1900
To coincide with these exhibitions the Irish Georgian Society has published Digging New Ground, the Irish Country House Garden 1650-1900. Edited by Finola O’Kane and Robert O’Byrne, this book investigates the history, design and planting of the Irish country house garden and considers garden making as an art form in all its dimensions. It is available in the City Assembly House, on the IGS shop website and in all good bookshops.
'Stepping Through the Gate: Inside Ireland's Walled Gardens' at Kylemore Abbey
23.03.2022
Posted by IGS
The following blog post was written by Jessica Ridge, Marketing Manager at Kylemore Abbey.
2022 marks the 21st anniversary of the historic restoration of Kylemore Abbey's Victorian Walled Gardens by the Benedictine nuns, who run the heritage estate in the west of Ireland. This important conservation project returned Mitchell Henry's beautiful walled gardens to their Victorian glory and won the prestigious Europa Nostra Award in 2002.
To mark the anniversary, Kylemore Abbey will host an Irish Georgian Society exhibition of paintings of walled gardens at Kylemore Abbey's Fordham Hall from 5 March - 30 April*. This is the first of a larger programme of events which will take place over the coming years in preparation of a yearlong celebration of 25 years of the Victorian Walled Garden Restoration in 2024/5.
Speaking on the announcement of the exhibition, Executive Director of the Irish Georgian Society, Donough Cahill remarked: “This exhibition is an ideal opportunity for the Irish Georgian Society to partner with Kylemore Abbey in celebrating the 21st anniversary of the opening of Kylemore’s magnificent Victorian Walled Gardens. The Benedictine nuns’ achievement in restoring these gardens has created a lasting legacy that is enjoyed by tens of thousands every year and, together with Kylemore’s historic buildings, nurtures an enthusiasm for visitors in the preservation of Ireland’s rich heritage.”
Featuring renowned Irish gardens, including the Victorian Walled Garden at Kylemore Abbey, the specially commissioned exhibition by The Irish Georgian Society comprises fifty paintings by four leading Irish artists: Lesley Fennell, Andrea Jameson, Maria Levinge and Alison Rosse.
Speaking on behalf of the Kylemore Trust, Conor Coyne, Executive Director said "we are delighted to welcome the Irish Georgian Society’s touring exhibition featuring some of Ireland’s most beautiful walled gardens, painted by four talented Irish artists. As a non-profit organisation, with a dual mandate for heritage preservation and the support of monastic life, our gardens are the embodiment of Kylemore’s mission: to preserve for Ireland a place of beauty, tranquility and spiritual peace. We are delighted to partner with the Irish Georgian Society on this project, and look forward to welcoming many visitors to see this exhibition over the next month or so."
Curated by Robert O'Byrne, the exhibition is of interest to anyone with an interest in Irish gardens, gardening, or painting. Access to the exhibition is included with admission ticket to Kylemore Abbey & Gardens. Paintings will be available for purchase with proceeds to the Irish Georgian Society and The Kylemore Trust.