Death, Suffering and Violence: The Myth of Caravaggio
Alison Millar Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Painting and Sculpture Country: Germany, Italy, Spain and Belgium Period: 17th Century
10,000 words
The Meaning of Auguste Rodin’s Nude Figures
Emily Millet
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Sculpture
Country: France
Period: 19th Century
10,000 words
Scenes from the Life of Christ as represented in Nineteenth Century British Art from 1830 - 1890
Olivia Elise Mitchell
Trinity College Dublin
Department of History of Art and Architecture
2003
BA
Subject: Painting
Country: Britain
Period: 19th Century
10,000 words
A Discussion on the Structure and Design of Irish 15th century Franciscan Friaries
Joanna Mitchell
Trinity College Dublin
Department of History of Art and Architecture
1983
BA
Subject: Architecture
Country: Ireland
Period: 15th Century
10,000 words
Mythological Imagery in Wonder Woman: An examination of Mythological Images in ‘Super Heroine’ comic books in relation to Images of Women in Classical Subject Art
Susan Judith Mitchell Trinity College Dublin Department of History of Art and Architecture 2003 BA
Subject: Painting, Graphics Country: America Period: 20th and 21st Century
10,000 words
The Construction of Identity in Art: A Study of the Use of Visual Imagery from the Early Nineteenth to Late Twentieth Centuries
Sarah Moffat Trinity College Dublin Department of History of Art and Architecture 2010 BA
Subject: Digital Media, Illustration, Painting and Prints Country: America and Europe Period: 19th and 20th Century
10,000 words
The Temptress and her Serpent Female-Serpent Symbolisism and Conceptions of Gender in Romanesque France
Ellen Mohan Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Sculpture Country: France Period: Medieval
10,000 words
Who Does he Think He Is? Reconciling Representations of David and his Masculinity in Quattrocento Florence
Stephen Moloney Trinity College Dublin Department of History of Art and Architecture 2015 BA
Subject: Sculpture Country: Italy Period: 15th Century
10,000 words
The art of Henri Regnault (1843-1871)
Veronika Montag
Trinity College Dublin
Department of History of Art and Architecture
1986
BA
Subject: Painting & drawings
Country: France
Period: 19th Century
Portraiture of the Habsburg Monarchy
Sarah Montague
Trinity College Dublin
Department of History of Art and Architecture
2009
BA
Subject: Painting
Country: Belgium, Italy, Germany, Spain
Period: 17th to 18th Century
10,000 words
Kells Cloister Arcade: A Reconstruction
John Montague
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Architecture
Country: Ireland
Period: 12th and 13th Century
10,000 words
Conservation and Controversy: An account of Alfonso Rubbiani’s Restorations in Piazza Maggiore and their Context in Europe
Maria Montcalm Trinity College Dublin Department of History of Art and Architecture 2011 BA
Subject: Architecture and Restoration Country: Italy Period: 19th and 20th Century
10,000 words
An Examinaton of Foreign Influence on the Depicton of the Last Judgment on Irish High crosses up to the end of the 10th century
Frances Montgomery Trinity College Dublin Department of History of Art and Architecture 1992 BA
Subject: Sculpture and High Cross Country: Ireland Period: Up to the end of the 10th Century
10,000 words
The Dublin Castle Chapel
Kim-Mai Mooney
Trinity College Dublin
Department of History of Art and Architecture
1982
BA
Subject: Architecture
Country: Ireland
Period: 19th Century
10,000 words
Autobiographical-vs-Automatic Woman A Study of Identity in the Surrealist Paintings of Leonora Carrington and Max Ernst
Aisling Mooney Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Painting Country: Germany and England Period: 20th Century
10,000 words
The Life and Career in Ireland of Peter de Gree
Cathal Moore Trinity College Dublin Department of History of Art and Architecture 1989 BA
Subject: Painting Country: Ireland Period: 18th Century
10,000 words
Ireland’s Eye. The Art of Patrick Ireland.
Brenda Moore McCann Trinity College Dublin Department of History of Art and Architecture 1996 BA
Subject: Painting, Drawing, Sculpture and Installation Country: Ireland & America Period: 20th Century
10,000 words
New Ways of Seeing - Monocular Visions in the Purist Art and Architecture of LeCorbusier 1918-1929
Andrew James Moran
Trinity College Dublin
Department of History of Art and Architecture
2003
BA
Subject: Architecture
Country: France
Period: 20th Century
10,000 words
A Study on the Consolidation of Street Art and Mainstream Culture
Sarah Morel Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Street Art, Graffitti, Mixed Media and Photography Country: England and America Period: 21st Century
10,000 words
Kenneth Hall (1913-1946): An English Artist with Irish Connections
Anne Morgan
Trinity College Dublin
Department of History of Art and Architecture
2006
BA
Subject: Painting
Country: England and Ireland
Period: 20th Century
10,000 words
Harry Clarke: Symbolising the Erotic
Kathleen Morgan Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Graphic Art and Illustrations Country: Ireland Period: 19th & 20th Centuries
10,000 words
Ecclesiastical Patronage in England 1215-50
Caroline Morris Trinity College Dublin Department of History of Art and Architecture 1988 BA
Subject: Patronage Country: England Period: 13th Century
10,000 words
Cashel Palace: An Architectural and Historical Survey
Anna Morrogh
Trinity College Dublin
Department of History of Art and Architecture
2006
BA
Subject: Architecture
Country: Ireland
Period: 18th Century
10,000 words
The Blue Hour Danish Atmosphere and Identity in P.S.Kroyer’s Blue Paintings
Kerstina Mortensen Trinity College Dublin Department of History of Art and Architecture 2013 BA
Subject: Painting Country: Denmark Period: 19th Century