The Influence of the Image of Mary Magdalene
Irina Tikhonova
Trinity College Dublin
Department of History of Art and Architecture
2012
BA
Subject: Painting
Country: Italy, Spain and Flanders
Period: 15th, 16th and 17th Century
10,000 words
Patterns in Stone. A study of the High Crosses on Inis Mor, Aran
Margaret A Timmes
Trinity College Dublin
Department of History of Art and Architecture
1995
BA
Subject: Sculpture and High Crosses
Country: Ireland
Period: 12th Century
10,000 words
The Architecture of the Franciscan Friary at Ross Errilly - History and Design
Niamh Timoney
Trinity College Dublin
Department of History of Art and Architecture
2004
BA
Subject: Architecture
Country: Ireland
Period: 14th and 15th Century
10,000 words
User Experience-Accessiblity and Incentives to Increase Interest in Art Galleries
Christina Tirziman
Trinity College Dublin
Department of History of Art and Architecture
2018
BA
Subject: Social Media
Country: Ireland and Holland
Period: 21st Century
10,000 words
The Ecclesiastical Buildings and Theories of George G. Pace: Rationale and Reality
Lynda Mary Todd
Trinity College Dublin
Department of History of Art and Architecture
2015
BA
Subject: Architecture
Country: Britain
Century: 20th Century
10,000 words
Image and Word: The Social and Artistic Aspects of Samuel Beckett and Henri Hayden's Friendship
Jean Tormey
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Painting
Country: Ireland
Period: 20th Century
10,000 words
The Ecclesiological Society and its effects on Ecclesiastical Architecture in Dublin. 1845 - 1880
Frederic Trench
Trinity College Dublin
Department of History of Art and Architecture
1979
BA
Subject: Architecture
Country: Ireland
Period: 19th Century
10,000 words
Anne Yeats, a poet in paint
Deborah Attwood Troop
Trinity College Dublin
Department of History of Art and Architecture
1987
BA
Subject: Painting
Country: Ireland
Period: 19th and 20th Century
10,000 words
Irish Neo-Expressionism: A Female’s Perspective
Georgina Trower
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Painting
Country: Ireland
Period: 20th Century
10,000 words
Anglo-Saxon Boar Representations on Staffordshire Hoard 711 and 358
Fen Isabella Truitt
Trinity College Dublin
Department of History of Art and Architecture
2019
BA
Subject: Metalwork
Country: England
Period: 6th-8th centuries
10,000 words
From Reynolds to Leibovitz; Are Eighteenth Century Portrait Painters and Twentieth Century Portrait Photographers Really Chalk and Cheese?
Sheena Tucker
Trinity College Dublin
Department of History of Art and Architecture
2011
BA
Subject: Photography and Painting
Country: England
Period: 18th, 20th and 21th Century
10,000 words
The Iconography of Towers (with particular reference to those at Cormac’s Chapel, Cashel, County Tipperary).
Katherine Tynan
Trinity College Dublin
Department of History of Art and Architecture
1997
BA
Subject: Architecture
Country: Ireland
Period: 12th Century
10,000 words
Sight and Symbol: the Breast as Food Source in the long Italian Renaissance
Julia Tyndall
Trinity College Dublin
Department of History of Art and Architecture
2021
BA
Subject: Paintings, Drawings, Prints
Country: Italy
Period: 14th, 15th, 16th and 20th Centuries
10,000 words
Picturing the Glorious Revolution: William III and the Political Print in England, c.1688-1702
Robin Usher
Trinity College Dublin
Department of History of Art and Architecture
2003
BA
Subject: Print
Country: Britain
Period: 17th and 18th Century
10,000 words
Going Dutch. How Commercial Artists from the Netherlands Influenced Irish Graphic Design 1951-1960
Mieke van Embden
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Painting: Print
Country: Ireland and The Netherlands
Period: 20th Century
10,000 words
Hungarian Artists in Munich and the Foundation of the Nagbanaya Colony
Johanna Varadi
Trinity College Dublin
Department of History of Art and Architecture
2016
BA
Subject: Painting
Country: Hungary
Century: 19th Century
10,000 words
Works of Art or Art that Works: A Case Study of ‘Ireland’s Favourite Painting’, 2012- An Aesthetic Response
Anita Vilka
Trinity College Dublin
Department of History of Art and Architecture
2013
BA
Subject: Painting and Stained Glass
Country: Ireland
Period: Various
10,000 words
Improvised Soundart
Paul Vogel
Trinity College Dublin
Department of History of Art and Architecture
2006
BA
Subject: Sound art
Country: Ireland, Europe and America
Period: 20th and 21st Century
10,000 words
The Institutionalzation of the Avant-Garde
Tacy Wagner
Trinity College Dublin
Department of History of Art and Architecture
2020
BA
Subject: Mixed Media
Country: Germany & Russia
Period: 20th Century
10,000 words
Perhaps ‘Weeping’ is too Crude’: A Study of the Representation of Tears in Twentieth- Century Art
Ciara Waldron
Trinity College Dublin
Department of History of Art and Architecture
2016
BA
Subject: Painting, Mixed Media, Film and Photography
Country: Belgium, Germany, Spain, America and France
Century: 20th Century
10,000 words
Le Memorial des Martyrs de la Deportation
Jane Wales
Trinity College Dublin
Department of History of Art and Architecture
1998
BA
Subject: Sculpture
Country: France
Period: 20th Century
10,000 words
The Issue of Boundaries in Selected Works by Mona Hatoum 1989-2000
Sarah Ann Walsh
Trinity College Dublin
Department of History of Art and Architecture
2005
BA
Subject: Sculpture and Installation
Country: General
Period: 20th Century
10,000 words
The O'Tunney and Ormond Ateliers; Some Considerations on 2 Schools of Irish Medieval Figure Sculptors
Catherine Ann (Kate) Walsh
Trinity College Dublin
Department of History of Art and Architecture
2005
BA
Subject: Sculpture
Country: Ireland
Period: 16th Century
10,000 words
The Country Houses of Co. Galway
Anne Walsh
Trinity College Dublin
Department of History of Art and Architecture
1987
BA
Subject: Architecture
Country: Ireland
Period: 17th - 20th Century
10,000 words