To What Extent has Nietzsche’s Philosophy Influenced Edward Munch and in Particular the Scream?
Alexandra Langley-Evans Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Painting and Prints Country: Norway Period: 20th Century
10,000 words
Art as a Spiritual Force'
John Michael Lappin Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
The Sublime and the Art of Transcendence
Alison Larkin Trinity College Dublin Department of History of Art and Architecture 2010 BA
Subject: Digital media and Installation art Country: England, Ireland and America Period: 18th, 19th, 20th and 21st Century
10,000 words
The Influence of Late Medieval and Early Renaissance Florentine Social Customs on Two Types of Chests Involved in the Marriage Ritual
Roisin Lauder Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Painting, Wood and Ivory Country: Italy Period: 15th and 16th Century
10,000 words
St. Nicholas of Myra and its Two Architects. An Historical and Architectural Survey
Mildred Lawler Trinity College Dublin Department of History of Art and Architecture 1992 BA
Subject: Architecture Country: Ireland Period: 19th Century
10,000 words
James Cavanagh Murphy
Catherine Alice Lawless Trinity College Dublin Department of History of Art and Architecture 1990 BA
Subject: Architecture Country: Ireland Period: 18th and 19th Century
10,000 words
The Cult and Iconography of Saint Anne in Late Medieval Europe with Particular Reference to Florence 1343 to 1528
Catherine Alice Lawless Trinity College Dublin
Department of History of Art and Architecture
2000
PhD
Subject: Iconography
Country: Europe and Italy
Period: 14th Century to 16th Century
‘Illustrating Dante’: A Study of the Woodcuts in an Edition of Dante’s Commedia (Venice: Cremonese, 1491) in the Collection of Trinity College Library, in the Context of Illustrated Editions of the Commedia in Italy, 1480-1500
Francesca Lemass Trinity College Dublin Department of History of Art and Architecture 2006 BA
Subject: Print and Woodcut Country: Italy Period: 15th Century
10,000 words
'Guilded Squalor'. An evaluation of Francis Bacon's 7 Reece Mews Studio
Trevor Leonard
Trinity College Dublin
Department of History of Art and Architecture
2002
BA
Subject: Painting and Architecture
Country: England and Ireland
Period: 20th Century
10,000 words
The Work of Paula Modersohn-Becker in its Context
Anne Leonard Trinity College Dublin Department of History of Art and Architecture 1991 BA
Subject: Painting Country: Germany Period: 19th and 20th Century
10,000 words
Understanding Iconic Architecture as a Source of Meaning in the Pre-Global and Global Era
Mealy Lim Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Architecture Country: Ireland Period: 21st Century
10,000 words
The Woman in Nature: Approaching the Motif in the Work of the German Expressionist Kunstslergruppe Die Brucke
Sadhbh Little Trinity College Dublin Department of History of Art and Architecture 2019 BA
Subject: Painting, Prints Country: Germany Period: 20th Century
10,000 words
Architectural Drawings by Thomas Cooley in the Public Library, Armagh
Erica (E.P.) Loane
Trinity College Dublin
Department of History of Art and Architecture
1983
BA
Subject: Architecture and Architectural Drawings
Country: Northern Ireland
Period: 18th and 19th Century
10,000 words
The Life and works of Michael Shanahan of Cork. ( - 1811). Architect and stonemason to Frederick Augustus Hervey, Earl of Bristol and Bishop of Derry (1730-1803)
Deborah Logan Trinity College Dublin Department of History of Art and Architecture 1988 BA
Subject: Architecture and stonemasonry Country: Ireland Period: 18th and 19th Century
10,000 words
Zamosc and Palmanova: Comparing the Two Approaches to the Renaissance Cities.
Gabriela Lojewska Trinity College Dublin Department of History of Art and Architecture 2023 BA
Subject: Architecture Country: Poland, Venice Period: 15h Century
10,000 words
A New Art in East Africa, seen through the work of four artists exhibiting in Kenya
Kathryn Long Trinity College Dublin Department of History of Art and Architecture 1998 BA
Subject: Painting Country: Kenya Period: 20th Century
10,000 words
The Early Earls of Belmore’s Furniture: Restrained Beauty to Rich Opulence The Furnishings in the Lifetime of the Ist Earl of Belmore and the 2nd Earl of Belmore in Castle Coole, County Fermanagh
Martha Lowry Corry Trinity College Dublin Department of History of Art and Architecture 2015 BA
Subject: Sculpture, Furniture and Architecture Country: Ireland Period: 18th Century
10,000 words
The Millennium Wing of the National Gallery of Ireland
Wulf Ludicke
Trinity College Dublin
Department of History of Art and Architecture
2005
BA
Subject: Architecture
Country: Ireland: Dublin
Period: 20th and 21st Century
10,000 words
Imitation, Novelty and Eclecticism in the Architecture of Domenichino
Wulf Lüdicke Trinity College Dublin
Department of History of Art and Architecture
2011
PhD
Subject: Architecture
Country: Italy
Period: 16th Century to 17th Century
Supervisor: Dr. Edward McParland
Approx. 60,000 - 80,000 words
The Evolution of Roman Glass
Nicola Lush
Trinity College Dublin
Department of History of Art and Architecture
1982
BA
Subject: Glassware
Country: Italy
Period: 5th Century BC to 10th Century
10,000 words
The history of 'Madwomen' in Art
Marian Lynch
Trinity College Dublin
Department of History of Art and Architecture
2003
BA
Subject: Painting
Country: Western Europe
Period: 18th to 20th Century
10,000 words
No Boundaries: The Work-Art Balance A case-study of Facebook’s Artist in Residence programme
Marie Lynch Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Facebook (Social Media) Country: Ireland Period: 20th and 21st Century
10,000 words
People and Place: How Contemporary Irish Artists Explore the Relationship Between People and Place
Paula Lynch Trinity College Dublin Department of History of Art and Architecture 2007 MPhil (Irish Art History)
Subject: Art Country: Ireland Period: 21st Century
Supervisor: Dr Yvonne Scott 20,000
Painting an Object: Charles Brady (1926-97) and Still Life
Camille Lynch Trinity College Dublin Department of History of Art and Architecture
2010
MPhil (Irish Art History)
Subject: Painting
Country: Ireland
Period: 20th Century