Sex and the Labyrinth: The Cretan Myth of the Minotaur in Twentieth Century Art
Amy McDonnell Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Sculpture, Painting, Drawing, Mixed Media, Prints Country: France, Spain, USA Period: 20th Century
10,000 words
A Study of Rachel Fallon's Textile Contributions to the 2018 Repeal! Procession
Deirbhle McDonnell Trinity College Dublin Department of History of Art and Architecture 2024 BA
Subject: Textiles, Socially Engaged Art Country: Ireland Period: 21st Century Century
10,000 words
“The Other”- Nineteenth Century Orientalism and its Legacy with Particular Reference to a Contemporary Response by Shirin Neshat
Emma McDonnell Trinity College Dublin Department of History of Art and Architecture 2002 BA
Subject: Painting Country: Western Europe and Iran Period: 19th and 20th Century
10,000 words
Communicating Conflict Examining the language of photomontage and the visual expression of the Northern Ireland in the context of the ‘Troubles’ series by Sean Hillen
Dara McElligott Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Photomontage Country: Ireland Period: 20th Century
Raphael McElligott Trinity College Dublin Department of History of Art and Architecture
2003 MLitt
Subject: Painting
Period: 20th Century
Some Thoughts on Photography with Reference to the Work of Don McCullen
Morven McFadden Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Photography Country: Various Period: 20th Century
10,000 words
The Lemanaghan Shrine
Shauna McFarland
Trinity College Dublin
Department of History of Art and Architecture
1981
BA
Subject: Applied arts: shrine
Country: Ireland
Period: 12th Century
10,000 words
Comparative Praxes: An Investigation into the Shifting Social Culture at the Irish Museum of Modern Art and its Relationship with the Director as Curator
Katharine McGale Trinity College Dublin Department of History of Art and Architecture 2014 MPhil (Irish Art History)
Subject: Irish Museum of Modern Art
Country: Ireland
Period: 21st Century
Supervisor: Dr Yvonne Scott
20,000
Blood, Bones, Surgery and Corpses in Contemporary Art
Neasa McGarrigle
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Painting
Period: 16th to 21st Century
10,000 words
Reclaim, Recall, Reassess: A Study of the Work of Mildred Anne Bulter RWS RUA (1858-1941)
Caroline McGee
Trinity College Dublin
Department of History of Art and Architecture
2009
BA
Subject: Painting and Drawing
Country: Ireland
Period: 19th Century
10,000 words
Catholic Church Architecture and Art Industry in Ireland, 1850-1922
Caroline McGee Trinity College Dublin
Department of History of Art and Architecture 2017
PhD
Subject: Architecture
Country: Ireland
Period: 19th Century to 20th Century
Supervisor: Prof. Christine Casey Approx. 60,000 - 80,000 words
How are visual representations of the Sublime portrayed in eighteenth and nineteenth century Romantic landscape painting: and moreover do such paintings exhibit authentic sublimity by either a Burkean or Kantian definition?
Lydia McGee Trinity College Dublin Department of History of Art and Architecture 2021 BA
‘Art for Ideology’s Sake’: Examining the Concept of Socialist Realism in the Art of Robert Ballagh
Fionnuala McGeough Trinity College Dublin Department of History of Art and Architecture 2008 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
The Political Mural in Belfast
Catherine McGlinchey Trinity College Dublin Department of History of Art and Architecture 1986 BA
Subject: Mural Country: Northern Ireland Period: 20th Century
10,000 words
The Genius of Childhood (?); a Critical Exploration into the Development of Child art, its Attributes and its Cultural Importance
Holly McGlynn Trinity College Dublin Department of History of Art and Architecture 2005 BA
Subject: Painting and Drawing Country: Ireland Period: 20th and 21st Century
10,000 words
The Architectural and Sculptural Origins of Santa Maria del Naranco
Sheena McGoran Trinity College Dublin Department of History of Art and Architecture 1996 BA
Subject: Architecture and Sculpture Country: Spain Period: 9th Century
10,000 words
Decoding Domesticity: Artistic Representations of Women in the Domestic Space
Anna McGowan Trinity College Dublin Department of History of Art and Architecture 2012 BA
Subject: Painting, Drawing, Sculpture and Installation Country: Various Period: 17th, 19th, 20th and 21st Century
10,000 words
Nietzche and Brucke: The Influence of Friedrich Nietzche’s ‘Thus Spake Zarathustra on the art of the Brucke Group
James Patrick McGrath Trinity College Dublin Department of History of Art and Architecture 2013 BA
Subject: Sculpture, Painting, Prints and Drawing Country: Germany Period: 20th Century
10,000 words
Modernised Mythologies: An Interpretation of the Transformation of Mythological Paintings in the Seventeenth Century
Anna McGreevy Trinity College Dublin Department of History of Art and Architecture 2009 BA
Subject: Painting, Drawing and Sculpture Country: Holland, Italy and Spain Period: 17th Century
10,000 words
Crosses, Culture and the Sagas - High Crosses in the Eyes of Arthur Kingsley Porter
Eilise McGuane
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Sculpture and Art Criticism
Country: Ireland
Period: 8th to 12th and 20th Century
10,000 Words
Printing types in the Irish character
Dermot McGuinne Trinity College Dublin
Department of History of Art and Architecture
1989
PhD
Subject: Printing
Country: Ireland
TB, Modernism and The Pursuit of a Curative Environment: The Architecture of the Galway Regional Sanatorium
Emma McHugh Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Architecture Country: Ireland Period: 20th Century
10,000 words
A Critical History of Ireland’s Involvement in the Venice Biennale, Focusing on the Issues of Nationality and Politics that Inform this Institution’s Structure
Rachel McIntyre Trinity College Dublin Department of History of Art and Architecture 2010 BA
Subject: Various Country: Ireland Period: 20th and 21st Century
10,000 words
The Portrayal of Women as Victims: A discussion of the works of F.E.McWilliam, Catherine McWilliams and Rita Duffy
Cialann McKeating Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Painting Country: Ireland Period: 20th Century