Separating the Wheat from the Chaff: Landscape and Control in the Eighteenth-Century Powerscourt Estate
Jack Connolly Dowling
Trinity College Dublin
Department of History of Art and Architecture
2025
BA
Subject: Landscape Architecture
Country: Ireland
Period: 18th Century
10,000 words
The collecting practices of Isabel de Farnesio, Queen of Spain: A contextualisation in terms of gender, taste and title
Aoife Cosgrove
Trinity College Dublin
Department of History of Art and Architecture
2024
PhD
Subject: Collecting Practices, Gender Studies
Country: Spain
Period: 18th Century
Supervisor: Dr Peter Cherry
Approx. 60,000 - 80,000 words
More than just a pretty face: Self-Portraits of Italian Women Artists and the Shaping of Identity
Aoife Cosgrove
Trinity College Dublin
Department of History of Art and Architecture
2017
BA
Subject: Painting
Country: Italy
Period: 16- 18th Century
10,000 words
The Conflicting Presence of Nation in the Altermodern An Examination of the Art of Globalisation and in it, the presence of National Identity
Eleanor Costello
Trinity College Dublin
Department of History of Art and Architecture
2014
BA
Subject: Sculpture, Installation, Photography and Digital
Country: England
Period: 21st Century
10,000 words
The Influence of the Irish Political Landscape on the Evolution of the Physical Landscape at the Irish National War Memorial Gardens
Caroline Costello
Trinity College Dublin
Department of History of Art and Architecture
2023
BA
Subject: Sculpture, Memorial
Country: Ireland
Period: 20th & 21st Century
10,000 words
Rahan Churches, Co. Offaly: An Architectural and Stylistic Study
Caroline Cowley
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Architecture and Sculpture
Country: Ireland: Co. Offaly
Period: 12th Century
10,000 words
Urnes Ornament in Ireland
Treasa Cox
Trinity College Dublin
Department of History of Art and Architecture
1996
BA
Subject: Sculpture and Panels
Country: Ireland
Period: 7th – 10th Century
10,000 words
Art is Above Politics but not Humility: The Art and Politics of Michael Farrell
Carmel Coyle
Trinity College Dublin
Department of History of Art and Architecture
2008
MPhil (Irish Art History)
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr Yvonne Scott
20,000
“The Word made Flesh” : A study of Feminine beauty in Cinquecento Venetian painting
Irene Coyle
Trinity College Dublin
Department of History of Art and Architecture
1994
BA
Subject: Painting
Country: Italy
Period: 16th Century
10,000 words
The Influence of Frank Lloyd Wright on the Work of Andrew Devane
Jennifer Coyle
Trinity College Dublin
Department of History of Art and Architecture
1998
BA
Subject: Architecture
Country: Ireland and America
Period: 20th Century
10,000 words
Aesthetic Dialogues: Seamus Heaney’s Collaborations with Barrie Cooke and Felin Egan
Deirdre Craig
Trinity College Dublin
Department of History of Art and Architecture
2012
MPhil (Irish Art History)
Subject: Illustration
Country: Ireland
Period: 20th Century
Supervisor: Dr Yvonne Scott
20,000
The Van der Hagen Problem in the British Isles
Mia Craig
Trinity College Dublin
Department of History of Art and Architecture
1992
BA
Subject: Painting
Country: England and Ireland
Period: 18th Century
10,000 words
Approaching the Works of a Morally Reprehensible Artist
Taylor Crates
Trinity College Dublin
Department of History of Art and Architecture
2023
BA
Subject: Art
10,000 words
The Dog in Painting: From Prop to Prominence
Aisling Crawley-Fay
Trinity College Dublin
Department of History of Art and Architecture
2013
BA
Subject: Painting and Prints
Country: England, Holland, Italy, Spain and France
Period: 16th– 20th Century
10,000 words
Assessing the Experience of a Pilgrim on the Camino de Santiago in the High Middle Ages
Ross Creed
Trinity College Dublin
Department of History of Art and Architecture
2016
BA
Subject: Architecture and Sculpture
Country: Spain
Century: 9th-13th Century
10,000 words
The Irish Response to the Street Art Phenomenon: Aesthetics, Activitism & Advertising
Hannah Creevey
Trinity College Dublin
Department of History of Art and Architecture
2018
BA
Subject: Street art, Graffiti and Mixed Media
Country: Ireland
Period: 20th and 21st Century
10,000 words
Kara Walker’s Contemporary Use of the Silhouette
Federica Crescenzi
Trinity College Dublin
Department of History of Art and Architecture
2015
BA
Subject: Sihouette, Paper cut outs
Country: Africa and America
Period: 20th and 21st Century
10,000 words
Dorothy Cross: Removing Labels
Bebhinn Cronin
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Sculpture, video
Country: Ireland
Period: Late 20th and Early 21st Century
10,000 words
The RTE Campus: Innovation or Imitation?
Aisling Crowe
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Architecture
Country: Ireland
Period: 20th Century
10,000 words
The Enigmatic Beard-Puller Motif in Medieval Art
Claire Crowley
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Sculpture
Country: Ireland, France and Spain
Period: 9th to 12th Century
10,000 words
The West Doorway of Clontuskert Priory, Co. Galway
Julie Cruess Callaghan
Trinity College Dublin
Department of History of Art and Architecture
1981
BA
Subject: Architecture: portal
Country: Ireland
Period: 12th to 15th Century
10,000 words
Some Aspects of the Deliverance Cycle on Irish High crosses
Catrina Cruickshank
Trinity College Dublin
Department of History of Art and Architecture
1991
BA
Subject: Sculpture and High Cross
Country: Ireland
Period: 12th Century
10,000 words
Queering Contemporary Irish Art: Eimear Walshe and Dylan Kerr
Ailbhe Cullen
Trinity College Dublin
Department of History of Art and Architecture
2022
BA
Subject: Performance Art
Country: Ireland
Period: 21st century
10,000 words
Settting the scene with art. An Examination of the influence Pablo Picasso had on the Ballet Russes and the Ballet Russes’s influence on Picasso.
Suzanne Cummins
Trinity College Dublin
Department of History of Art and Architecture
1998
BA
Subject: Set Design, Costume and Painting
Country: Russia and France
Period: 20th Century
10,000 words