Education - Theses Register | Irish Georgian Society

Gods, Goddesses and the Venetian Tradition-Mythological Themes in 16th Century Venetian Painting

Eliza McCormack
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Painting
Country: Ireland
Period: 16th Century

Supervisor: Dr. Philip Cottrell
15,000 words

Glass in Contemporary Architecture

Mary McCrohan
University College Dublin
School of Art History and Cultural Policy
2018
MA

Subject: Architecture
Country: Europe
Period: 20th Century to 21st Century

Supervisor: Dr Conor Lucey
15,000 words

The Royal College of Physicians of Ireland, Number 6 Kildare Street: an Architectural History 1859-1875

James McDowell
University College Dublin
School of Art History and Cultural Policy
1994
MA

Subject: Architecture
Country: Ireland
Period: 19th century

Supervisor: Dr Sean O’Reilly
15,000 words

Opening Up the Streets: A Relational Account of the Murals of Northern Ireland

Catherine McEntee
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Murals
Country: Northern Ireland
Period: 20th Century

20,000

Prisoner and Escort: Guercino's St John the Baptist Visited in Prison by Salome at the NGI in Context

Mary McEvoy
University College Dublin
School of Art History and Cultural Policy
2011
MA

Subject: Painting
Country: Italy
Period: 17th century

Supervisor: Dr Philip Cottrell
15,000 words

Cities: Art, Architecture and Aspiration 2009 - 2010

Brigitte McGarry
University College Dublin
School of Art History and Cultural Policy
2010
MA

Subject: Miscellaneous
Country: Europe - North America
Period: 21st Century

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

Georg Pencz allein: A Sixteenth Century Nuremberg Artist

Maeve McGrath
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Painting and Prints
Country: Nuremberg
Period: 16th Century

Supervisor: Dr. John Loughman
15,000 words

The Architectural Patronage of Cahir

Sinead McGrath
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2012
MA

Subject: Architecture
Country: Tipperary: Cahir

Supervisor: Catherine Lawless
21,000 words

Gendered Spaces at Castletown House, Co Kildare

Rachel McGuinness
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Ireland
Period: 18th Century

Supervisor: Dr Nicola Figgis
15,000 words

The Science of Poetry. Scientific Analysis in the Paintings of Giorgione and his Circle

Rachael McKenna
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Painting
Country: Europe
Period: 2nd -16th Centuries

Supervisor: Dr. Philip Cottrell
15,000 words

Self-Examination: Confronting Female Body Ideals in the Work of Jenny Saville and Lisa Yuskavage

Marie McMahon
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2014
MA

Subject: Painting
Period: 20th Century and 21st Century

Supervisor: Catherine Lawless
21,000 words

Re:performance: Enduring the Past in the Present - the Role of the Audience in the Documentation of Marina Abramović's Performances

Réidín McSweeney
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA

Subject: Performance Art
Country: Europe and U.S.A.
Period: 20th Century

20,000 words

The Influence of Photography on the Painting of Walter Osborne

Denise Meade
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Ireland
Period: 19th Century

Supervisor: Dr Nicola Figgis
15,000 words

John Lavery’s The Artist’s Studio: Fashioning the Natural as Artifice

Denise Meagher
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)

Subject: Modern/Iconography/Painting/Fashion
Country: Ireland/Britain and Spain
Period: 20th Century

Supervisor: Dr Róisin Kennedy
78 pages

Richard Gorman, Evolution of Style

Philip Meehan
University College Dublin
School of Art History and Cultural Policy
2010
MA

Subject: Painting
Country: Ireland
Period: 21st Century

Supervisor: Dr. Lynda Mulvin
15,000 words

20th Century Irish Art & the Crucifixion Theme: An Examination of Context, Treatment and Iconography

Anela Mellett
University of Limerick
College of Humanities, Department of History (History of Art Postgraduate Courses only)
2003
MA

Subject: Iconography
Country: Ireland
Period: 20th Century

Supervisor: Catherine Lawless
Approx. 33,000 words

Political Reputation and Glorification in the art of Rubens: A Comparative Study of Allegory in the Medici cycle and the Banqueting House ceiling

Abigail Merker
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Painting
Country: European
Period: 17th Century

Supervisor: Associate Professor John Loughman
56 pages

The Treatment of Narrative in Seventeenth-Century Religious Art

Laura Mitchell

Trinity College Dublin

Department of History of Art and Architecture

2012

BA

Subject: Painting, Sculpture, Drawing, Print and Frescoes

Country: Italy and Spain

Period: 17th Century

A Comparative Study of Venus and the Virgin in Secular and Biblical Art

Aisling Molloy
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: Painting
Country: Ireland: Dublin
Period: 20th Century

Supervisor: Dr. Lynda Mulvin
15,000 words

Michael Leo Whelan, Royal Hibernian Academy ( 1892-1956)

Geraldine Molloy
University College Dublin
School of Art History and Cultural Policy
2006
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Dr. Nicola Figgis
15,000 word

John Connellan Deane: Professional Advancement through the Cork National Exhibition 1852, the Dublin Art Industry Exhibition 1853, and the Manchester Art Treasures Exhibition 1857

Ciara Moloney
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)

Subject: Great Exhibition
Country: Ireland
Period: 19th Century

Supervisor: Dr Philip Cottrell
78 pages

Francisco de Goya's Third of May 1808 is a symbol of political oppression around the world. How have contemporary artists made this painting their own

Michelle Monks
University College Dublin
School of Art History and Cultural Policy
2013
MA