Keeping Up Appearances: The Etiquette of Dress in Victorian Art
Marion Bergin
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Painting
Country: Great Britain
Period: 19th Century
10,000 words
The Dublin Art Foundry : Bronze casting in Ireland
Clare Maria Bermingham
Trinity College Dublin
Department of History of Art and Architecture
1984
BA
Subject: Sculpture, Bronze Casting and Bronze Sculptures
Country: Ireland: Dublin
Period: 20th Century
10,000 words
The art of Henry Darger; an examination of his paintings at the Irish Museum of Modern Art
Helen Bermingham
Trinity College Dublin
Department of History of Art and Architecture
2005
MA
Subject: Painting and Drawing
Country: America and Ireland (IMMA collection)
Period: 20th Century
Franciscan Architecture: Comparing Orders, Patronage and Art in Assisi and Waterford
Marian Berthoud Trinity College Dublin
Department of History of Art and Architecture
2017
MPhil (Art and Ireland)
Subject: Architecture
Country: Ireland: Waterford
Supervisor: Dr Rachel Moss 15,000-20,000
A Study of Capitals Stored in the Crypt of Christ Church Cathedral, Dublin
Marie Betts Trinity College Dublin Department of History of Art and Architecture 1999 BA
Subject: Architecture Country: Ireland Period: 12th, 13th and 19th Century
10,000 words
“The Lover of Nature” ; A Study of John Lavery’s Paintings at Grez-sur-Loing, 1883, 1884, 1897 and 1900 and their Subsequent Influence on his Later Work
Arabella Bishop Trinity College Dublin Department of History of Art and Architecture 1992 BA
Subject: Painting Country: France Period: 19th Century
10,000 words
The Whole Mosaic - John Hewitt and the Ulster Unit
Jamie Blake-Knox Trinity College Dublin Department of History of Art and Architecture 2008 MPhil (Irish Art History)
Subject: Mosaic Country: Ireland: Belfast Period: 20th Century
Supervisor: Dr Yvonne Scott 20,000
The Influences on Frederick William Burton’s ‘The Meeting on the Turret Stairs’
Mai Blount Trinity College Dublin Department of History of Art and Architecture 2009 MPhil (Irish Art History)
Subject: Painting Country: Ireland Period: 19th Century
Supervisor: Dr Philip McEvansoneya 20,000
Tim Burton’s Landscapes of the Mind
Cairin Bohn
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Film and Architecture
Country: America and Germany
Period: 20th Century
10,000 words
The Conservation of Irish Lighthouses
Edward Boilson Trinity College Dublin Department of Civil, Structural and Environmental Engineering 2010 Postgraduate Diploma in Applied Building Repair and Conservation
Subject: Irish Lighthouses Country: Ireland
Approx. 15,000
The Depiction of Fairs and Markets in Irish Painting, 1780-1820
Mary Jane Boland Trinity College Dublin Department of History of Art and Architecture 2006 MPhil (Irish Art History)
Subject: Painting Country: Ireland Period: 18th Century and 19th Century
Supervisor: Dr Philip McEvansoneya 20,000
The Cutting Edge? To what extent can female dress in Ireland in the 15th and 16th centuries be described as Mediaeval?
Mary Ann Bolger Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Tomb Sculpture Country: Ireland Period: 15th- 16th Century
10,000 words
The Relationship Between Italian Avant-Garde Movements 1900-1940 and the tradition of Figurative Painting in Italian Art
Valentina Bonato Trinity College Dublin Department of History of Art and Architecture 1999 BA
Subject: Painting Country: Italy Period: 20th Century
10,000 words
Drumcliffe High Cross
Deirdre Bonham
Trinity College Dublin
Department of History of Art and Architecture
1985
BA
Subject: Sculpture: high cross
Country: Ireland
Period: 11th Century
10,000 words
The Development of Russian Academy of Fine Arts in St. Petersburg during the Eighteenth Century in light of Contemporary Western European Artistic Education
Marina Boqautdinova Trinity College Dublin Department of History of Art and Architecture 2016 BA
Subject: Painting and Icons Country: Russia and Europe Century: 18th Century
10,000 words
The Dublin Art Market and How it Accomodates Contemporary Irish Artists
Jillian Bornemann Trinity College Dublin Department of History of Art and Architecture 1993 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
From Space to Place: Rachel Joynt and Public Sculpture in Dublin
Rachel Botha Trinity College Dublin Department of History of Art and Architecture 2015 BA
Subject: Sculpture Country: Ireland Period: 20th and 21st Century
10,000 words
Survey and Recording of Limerick City Centre's Remaining 18th and 19th Century Corn and Granary Stores
Thomas Stephen Bourke Trinity College Dublin Department of Civil, Structural and Environmental Engineering 2011 Postgraduate Diploma in Applied Building Repair and Conservation
Subject: Corn and Granary stores in Limerick City Country: Ireland Period: 18th and 19th Century
Approx. 15,000
The Chassis Factory, Michael Scott, 1947-1950. Conservation and Repair
Sinead Bourke Trinity College Dublin Department of Civil, Structural and Environmental Engineering 2015 Postgraduate Diploma in Applied Building Repair and Conservation
Subject: The Chassis Factory, Michael Scott Country: Ireland Period: 20th Century
Approx. 15,000
The Role of Materials in Understanding and Perception in Sculpture of the 20th Century Comparing and Contrasting the Fluidity of Ideas and Design in the Sculpture of Modernist Barbara Hepworth and Post-Modernist Ruth Asawa
Marina Bourke Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Sculpture Country: England Period: 20th & 21st centuries
10,000 words
The Life and Work of Harry Clarke 1889 -1931
Nicola Gordon Bowe
Trinity College Dublin
Department of History of Art and Architecture
1982
PhD
Subject: Stained Glass
Country: Ireland
Period: 19th to 20th Century
Supervisor: Anne Crookshank
Approx. 60,000 - 80,000 words
Dublin's Forgotten Ivories: A study of 6 religious ivories in the National Museum of Ireland, Dublin 2
Ann Boylan
Trinity College Dublin
Department of History of Art and Architecture
1985
BA
Subject: Sculpture, Ivory carvings, diptychs and plaquettes
Country: Ireland, Dublin. France, Italy, England and Scandinavia
Period: 14th Century
10,000 words
Standing Tall- Brick Industrial Chimneys of Dublin
Patrick Boyle Trinity College Dublin Department of Civil, Structural and Environmental Engineering 2017 Postgraduate Diploma in Applied Building Repair and Conservation
Subject: Brick industry chimneys of Dublin Country: Ireland
Approx. 15,000
Sir Joshua Reynolds: Problematic Painting
Aoife Brady Trinity College Dublin Department of History of Art and Architecture 2012 BA
Subject: Painting Country: England Period: 18th Century