Conservation of the Milltown Viaduct (The Nine Arches Bridge)
Camilla Milani Trinity College Dublin Department of Civil, Structural and Environmental Engineering 2016 Postgraduate Diploma in Applied Building Repair and Conservation
Subject: The Milltown Viaduct Country: Ireland
Approx. 15,000
Major Themes Within the Public Sculpture of Dame Elisabeth Frink
Jane Millar Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Sculpture Country: England Period: 20th Century
10,000 words
Death, Suffering and Violence: The Myth of Caravaggio
Alison Millar Trinity College Dublin Department of History of Art and Architecture 2017 BA
Subject: Painting and Sculpture Country: Germany, Italy, Spain and Belgium Period: 17th Century
10,000 words
The Meaning of Auguste Rodin’s Nude Figures
Emily Millet
Trinity College Dublin
Department of History of Art and Architecture
2007
BA
Subject: Sculpture
Country: France
Period: 19th Century
10,000 words
‘Irish Mostly’: A thematic exploration into the Art of Harry Kernoff RHA (1900-1974)
Kathryn Milligan Trinity College Dublin Department of History of Art and Architecture 2010 MPhil (Irish Art History)
Subject: Art Country: Ireland
Period: 20th Century
Supervisor: Dr Éimear O’ Connor
20,000
Depicting Dublin: Representations of the City in Irish Art
Kathryn Milligan Trinity College Dublin
Department of History of Art and Architecture
2015
PhD
Subject: Art
Country: Ireland: Dublin
Supervisor: Dr Yvonne Scott Approx. 60,000 - 80,000 words
The Morbid Biology of Francis Bacon’s Paintings
Ann Minehane-Armstong Trinity College Dublin Department of History of Art and Architecture
2015 MPhil (Irish Art History)
Subject: Painting
Country: England
Period: 20th Century
Supervisor: Dr Yvonne Scott
20,000
Scenes from the Life of Christ as represented in Nineteenth Century British Art from 1830 - 1890
Olivia Elise Mitchell
Trinity College Dublin
Department of History of Art and Architecture
2003
BA
Subject: Painting
Country: Britain
Period: 19th Century
10,000 words
A Discussion on the Structure and Design of Irish 15th century Franciscan Friaries
Joanna Mitchell
Trinity College Dublin
Department of History of Art and Architecture
1983
BA
Subject: Architecture
Country: Ireland
Period: 15th Century
10,000 words
Mythological Imagery in Wonder Woman: An examination of Mythological Images in ‘Super Heroine’ comic books in relation to Images of Women in Classical Subject Art
Susan Judith Mitchell Trinity College Dublin Department of History of Art and Architecture 2003 BA
Subject: Painting, Graphics Country: America Period: 20th and 21st Century
10,000 words
The Treatment of Narrative in Seventeenth-Century Religious Art
Laura Mitchell
Trinity College Dublin
Department of History of Art and Architecture
2012
BA
Subject: Painting, Sculpture, Drawing, Print and Frescoes
Country: Italy and Spain
Period: 17th Century
The Construction of Identity in Art: A Study of the Use of Visual Imagery from the Early Nineteenth to Late Twentieth Centuries
Sarah Moffat Trinity College Dublin Department of History of Art and Architecture 2010 BA
Subject: Digital Media, Illustration, Painting and Prints Country: America and Europe Period: 19th and 20th Century
10,000 words
The Temptress and her Serpent Female-Serpent Symbolisism and Conceptions of Gender in Romanesque France
Ellen Mohan Trinity College Dublin Department of History of Art and Architecture 2020 BA
Subject: Sculpture Country: France Period: Medieval
10,000 words
Motivators of Change: The influence of the White Stag Group
Laura Moher Trinity College Dublin Department of History of Art and Architecture 2010 MPhil (Irish Art History)
Subject: Art Country: Ireland and England Period: 20th Century
Supervisor: Dr Yvonne Scott 20,000
John Molesworth (1679-1726) as a Patron of Art: Complacence, Connoisseurship and Commissions
William Molesworth Trinity College Dublin
Department of History of Art and Architecture
2010
MLitt
Subject: Art Patronage and Connoisseurship
Country: Ireland
Period: 17th Century to 18th Century
Approx. 30,000 - 40,000 words
Who Does he Think He Is? Reconciling Representations of David and his Masculinity in Quattrocento Florence
Stephen Moloney Trinity College Dublin Department of History of Art and Architecture 2015 BA
Subject: Sculpture Country: Italy Period: 15th Century
10,000 words
The art of Henri Regnault (1843-1871)
Veronika Montag
Trinity College Dublin
Department of History of Art and Architecture
1986
BA
Subject: Painting & drawings
Country: France
Period: 19th Century
John Rocque and the Making of the 1756 Exact Survey of Dublin
John Montague
Trinity College Dublin
Department of History of Art and Architecture
2009
PhD
Subject: Maps
Country: Ireland: Dublin
Period: 18th Century
Supervisor: Dr Edward McParland Approx. 60,000-80,000 words
Portraiture of the Habsburg Monarchy
Sarah Montague
Trinity College Dublin
Department of History of Art and Architecture
2009
BA
Subject: Painting
Country: Belgium, Italy, Germany, Spain
Period: 17th to 18th Century
10,000 words
Kells Cloister Arcade: A Reconstruction
John Montague
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Architecture
Country: Ireland
Period: 12th and 13th Century
10,000 words
Conservation and Controversy: An account of Alfonso Rubbiani’s Restorations in Piazza Maggiore and their Context in Europe
Maria Montcalm Trinity College Dublin Department of History of Art and Architecture 2011 BA
Subject: Architecture and Restoration Country: Italy Period: 19th and 20th Century
10,000 words
An Examinaton of Foreign Influence on the Depicton of the Last Judgment on Irish High crosses up to the end of the 10th century
Frances Montgomery Trinity College Dublin Department of History of Art and Architecture 1992 BA
Subject: Sculpture and High Cross Country: Ireland Period: Up to the end of the 10th Century
10,000 words
The Dublin Castle Chapel
Kim-Mai Mooney
Trinity College Dublin
Department of History of Art and Architecture
1982
BA
Subject: Architecture
Country: Ireland
Period: 19th Century
10,000 words
Autobiographical-vs-Automatic Woman A Study of Identity in the Surrealist Paintings of Leonora Carrington and Max Ernst
Aisling Mooney Trinity College Dublin Department of History of Art and Architecture 2014 BA
Subject: Painting Country: Germany and England Period: 20th Century