Education - Theses Register | Irish Georgian Society

The Development of the Irish Madonna within Twentieth-Century Art

Rosanna Hardstaff
Trinity College Dublin
Department of History of Art and Architecture
2017
BA

Subject: Painting
Country: Ireland
Period: 20th Century

10,000 words

The Changing Portrayal of the Dancer in Late Nineteenth Century French Art as a Reflection of a Changing Society

Nollag Harkin
Trinity College Dublin
Department of History of Art and Architecture
2011
BA

Subject: Painting, Drawing, Prints and Sculpture
Country: France
Period: 19th Century

10,000 words

The Convent Churches of Madrid: An Urban and Artistic Phenomenon

Louise Harrington
Trinity College Dublin
Department of History of Art and Architecture
1996
BA

Subject: Architecture
Country: Spain
Period: 17th Century

10,000 words

From The Queen to McQueen: Exploring the Validity of Fashion as an Art Form in the Context of the Art Gallery of Museum

Clare Harrington
Trinity College Dublin
Department of History of Art and Architecture
2012
BA

Subject: Fashion, Photography and Design
Country: England
Period: 20th and 21st Century

10,000 words

An Assessment of Panofsky’s Method as applied to Dutch Genre Painting

Oliver James Harris
Trinity College Dublin
Department of History of Art and Architecture
2013
BA

Subject: Painting
Country: Holland
Period: 17th Century

10,000 words

The iconographical method devised by the German art historian Erwin Panofsky, constitutes, alongside Formalism, one of the two great pillars of art historical interpretation of the twentieth century. Although originally developed as a means to interpret the art of the Italian Renaissance, iconology has proved just as fruitful when applied to the work Northern artists, in particular, the ‘scenes of everyday life’ or genre paintings of the seventeenth-century Dutch Republic. This dissertation will discuss the iconographical method, tracing its progression from the work of Panofsky to its current form as applied in the interpretation of genre scenes. This will examine some of its crucial features before assessing its strength and weaknesses, in an attempt to evaluate its worth as an interpretative method in the study of genre method.

Medieval Timber Roof Structures in Ireland

Gillian Ann Harris
Trinity College Dublin
Department of History of Art and Architecture
1996
BA

Subject: Architecture
Country: Ireland
Period: 12th – 15th Century

10,000 words

Quin Friary

Martha Harrison
Trinity College Dublin
Department of History of Art and Architecture
1978
BA

Subject: Architecture
Country: Ireland
Period: 13th to 16th Century

10,000 words

Art Theft: The Implications of Fine Art Theft on Scholarship, the Museum Space and Cultural Identity

Devon Harrisson
Trinity College Dublin
Department of History of Art and Architecture
2018
BA

Subject: Painting
Country: Italy and Holland
Period: 20th and 21st Century

10,000 words

The Madden Arnholz Collection. Religious Prints from the 16th and 17th centuries

Claire Harron
Trinity College Dublin
Department of History of Art and Architecture
1998
BA

Subject: Prints
Country: Pain-European
Period: 16th and 17th Century

10,000 words

An Interpretation of the work of Michael Quane; 1986-1999

Rebecca Harte
Trinity College Dublin
Department of History of Art and Architecture
2000
BA

Subject: Sculpture
Country: Ireland
Period: 20th Century

10,000 words

A Measured Survey of the Ground Floor of the Church of San Lorenzo, Turin, with some suggestions as to the possible geometric basis of the plan

Stella Harte
Trinity College Dublin
Department of History of Art and Architecture
1991
BA

Subject: Architecture
Country: Italy
Period: 17th Century

10,000 words

Paul Koralek's buildings

Ann Sharon Hartnoll
Trinity College Dublin
Department of History of Art and Architecture
1984
BA

Subject: Modern Architecture
Country: Ireland
Period 20th Century

10,000 words

A Voyage of Discovery Charting Waterford’s Identity Across the Centuries Through Images Commissioned by the Corporation

Laura Harvey-Graham
Trinity College Dublin
Department of History of Art and Architecture
2016
BA

Subject: Painting, Maps and Manuscripts
Country: Ireland
Century: 14th, 16th and 18th Century

10,000 words

Scale and Identity ABK’s Arts Building at Trinity College Dublin

Dylan Haskins
Trinity College Dublin
Department of History of Art and Architecture
2012
BA

Subject: Architecture
Country: Ireland
Period: 20th Century

10,000 words

This study is an ‘in-depth study of the origin, evolution and construction of ABK’s (Ahrends Burton Koralek) Arts and Social Sciences Building at Trinity College Dublin from 1967 to 1978 with an evaluation of its merits and failings to the present day.’ Primary material hitherto unavailable has been examined to ‘provide a detailed account of the context in which the project came about, the internal discussions and the site visits prior to the selection of an architect and the creation of a comprehensive brief.’ ‘The development of ABK’s deep plan is analysed in terms of its responsiveness to the need for identity and sub-units in a large-scale university complex. Critical issues regarding the suitability of a conglomerate building for a university campus are also explored.

Network Conditions: The rise and fall of Internet Art

Beverly Hayes
Trinity College Dublin
Department of History of Art and Architecture
2022
BA

Subject: Digital Art
Country: Global
Period: 21st century

10,000 words

Interpretative Centre Architecture in Ireland

Evelyn Hayes
Trinity College Dublin
Department of History of Art and Architecture
1998
BA

Subject: Architecture
Country: Ireland
Period: 20th Century

10,000 words

Consuming Caroline: A Sociological Framework for the Work of Caroline McCarthy

Laura Hayes
Trinity College Dublin
Department of History of Art and Architecture
2008
BA

Subject: Painting
Country: Ireland
Period: 20th Century

10,000 words

The dissertation looks at the work of contemporary Irish artist Caroline McCarthy. The themes and issues that she deals with in the selected works are analysed within a sociological framework. Each work is individually scrutinized with reference to the relevant theory or theories it adheres to. The themes that McCarthy addresses are within the realm of the sociology of consumption. Themes of abundance in contemporary society and irrationality of consumerism in her works is examined first within the framework of theories by Max Weber. Issues such as the illusions of design and the superficiality of consumer culture in McCarthy’s art is examined using theories by Jean Baudrillard, Frederic Jameson and Hall Foster as the foundation for analysis. The consumption of tourism is also explored with theories by Urry, MacCannell and Boorstin constructing the framework for investigation.

Maynooth Castle and Anglo-Norman Castle Building

Bettina Hayes
Trinity College Dublin
Department of History of Art and Architecture
1989
BA

Subject: Architecture
Country: Ireland
Period: 12th – 18th Century

10,000 words

The Building of an Eighteenth-Century Town Palace: The Architecture and Decoration of No. 86 St. Stephens Green

Melanie Hayes
Trinity College Dublin
Department of History of Art and Architecture
2010
BA

Subject: Architecture, Decoration and Stucco
Country: Ireland
Period: 18th Century

10,000 words

Louis Le Brocquay and the Influence of Picasso

Charlotte Joanna Hayes
Trinity College Dublin
Department of History of Art and Architecture
2004
BA

Subject: Painting
Country: Ireland and France
Period: 20th Century

10,000 words

This dissertation is an account of the influence of Picasso in the works of Louis le Brocquay. Cubism and thematic developments link the works of the two artists, and both were inspired by early visits to the Musee de l'Homme in Paris, discussed in the first chapter. In the second chapter Le Brocquay's early influences are charted, and the figures who were to remain key sources in his mature careeer, most significantly Pablo Picasso. In the third chapter Le Brocquay's "Tinker Series" is compared to relevant works be Picasso, the chapter also deals with both artist's interest in Primitivism and concludes by discussing Le Broquay's famous tapestries. The fourth chapter is devoted to the artist's 'grey series', which is then compared to Picasso's 'Blue Period'. The final chapter focuses on le Brocquay's Processions as well as his 'White Series', with a comparison of both artists' approach to portraiture.

St. Marchan's Shrine, Boher Co Offaly

Patricia Healy
Trinity College Dublin
Department of History of Art and Architecture
1991
BA

Subject: Metalwork
Country: Ireland
Period: 12th Century

10,000 words

The Investigation of Round Tower Positioning within the Monastic Setting: A Leinster Case Study

David Healy
Trinity College Dublin
Department of History of Art and Architecture
2016
BA

Subject: Architecture
Country: Ireland
Century: 10th to 12th Century

10,000 words

The Representation of the Female Witch in Art During the Witch-hunt Period

Barbara Heffernan
Trinity College Dublin
Department of History of Art and Architecture
1994
BA

Subject: Painting and Print
Country: General
Period: 15th- 18th Century

10,000 words

Theory in Art: The Meaning Inherent in Theory in Postmodern Art

Olivia Hegarty
Trinity College Dublin
Department of History of Art and Architecture
2002
BA

Subject: Painting, Sculpture and Architecture
Country: Europe and North America
Period: 20th- 21th Century

10,000 words

Education Theses Register —Trinity College Dublin / B.A.

The Development of the Irish Madonna within Twentieth-Century Art

The Changing Portrayal of the Dancer in Late Nineteenth Century French Art as a Reflection of a Changing Society

The Convent Churches of Madrid: An Urban and Artistic Phenomenon

From The Queen to McQueen: Exploring the Validity of Fashion as an Art Form in the Context of the Art Gallery of Museum

An Assessment of Panofsky’s Method as applied to Dutch Genre Painting

Medieval Timber Roof Structures in Ireland

Quin Friary

Art Theft: The Implications of Fine Art Theft on Scholarship, the Museum Space and Cultural Identity

The Madden Arnholz Collection. Religious Prints from the 16th and 17th centuries

An Interpretation of the work of Michael Quane; 1986-1999

A Measured Survey of the Ground Floor of the Church of San Lorenzo, Turin, with some suggestions as to the possible geometric basis of the plan

Paul Koralek's buildings

A Voyage of Discovery Charting Waterford’s Identity Across the Centuries Through Images Commissioned by the Corporation

Scale and Identity ABK’s Arts Building at Trinity College Dublin

Network Conditions: The rise and fall of Internet Art

Interpretative Centre Architecture in Ireland

Consuming Caroline: A Sociological Framework for the Work of Caroline McCarthy

Maynooth Castle and Anglo-Norman Castle Building

The Building of an Eighteenth-Century Town Palace: The Architecture and Decoration of No. 86 St. Stephens Green

Louis Le Brocquay and the Influence of Picasso

St. Marchan's Shrine, Boher Co Offaly

The Investigation of Round Tower Positioning within the Monastic Setting: A Leinster Case Study

The Representation of the Female Witch in Art During the Witch-hunt Period

Theory in Art: The Meaning Inherent in Theory in Postmodern Art

Education Theses Register —
Trinity College Dublin / B.A.