“Stayed by what was, and pulled by what would be”: The Belfast Murals: Their Approach to Iconography and their Ever-changing Role in Today’s Society
Tara Masterson
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Painting
Country: Ireland and Northern Ireland
Period: 20th Century
10,000 words
W.B.Yeats and the Portrait Frontispiece
Tycho Mays
Trinity College Dublin
Department of History of Art and Architecture
1992
BA
Subject: Architecture
Country: Ireland
Period: 19th Century
10,000 words
Painting Happiness: The Utopian Bathing Idylls of Henri-Edmond Cross
Moya Mawhinney
Trinity College Dublin
Department of History of Art and Architecture
2021
BA
Subject: Painting
Country: England
Period: 19th and 20th Century
10,000 words
The Representation and Re-presentation of the human body in early 20th century Italian Art
John Mc Aleer
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Painting and Sculpture
Country: Italy
Period: 20th Century
10,000 words
Concepts of Ornament: Modern Culture versus Ornament?
Megan Mc Inerney
Trinity College Dublin
Department of History of Art and Architecture
2015
BA
Subject: Sculpture and Architecture
Country: Europe and America
Period: 20th Century
10,000 words
First World War Posters in Britain and Ireland
Anna Mc Sweeney
Trinity College Dublin
Department of History of Art and Architecture
1998
BA
Subject: Posters
Country: Britain and Ireland
Period: 20th Century
10,000 words
A Catalogue of Collection R.D.81 / 10 at the Irish Architectural Archive
Gregory McAteer
Trinity College Dublin
Department of History of Art and Architecture
1986
BA
Subject: Architecture
Country: Ireland
Period: 18th and 19th Century
10,000 words
“Temples of New Entertainment”. The Debate Concerning Cinema Architecture of the Thirties and the Irish Response
Eve McAulay
Trinity College Dublin
Department of History of Art and Architecture
1993
BA
Subject: Architecture
Country: Ireland
Period: 20th Century
10,000 words
Fashion Photography - Origins and Expressions
Leoine McCabe
Trinity College Dublin
Department of History of Art and Architecture
2000
BA
Subject: Photography
Country: Europe and America
Period: 20th Century
10,000 words
Michael J. Shorthall and The St. Brendan Capitals
James P. McCabe
Trinity College Dublin
Department of History of Art and Architecture
1981
BA
Subject: Sculpture
Country: Ireland
Period: 19th and 20th Century
10,000 words
Provincialism to Parochialism: John Kindness as a Parochial Artist
Kerry McCall
Trinity College Dublin
Department of History of Art and Architecture
1992
BA
Subject: Painting
Country: Ireland
Period: 20th Century
10,000 words
Carlo Cambi and his work in Ireland
Patricia McCarthy
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Woodcarving
Country: Ireland and Italy
Period: 19th Century
10,000 words
On the Other Hand A Study of the Hand in Early Modern Portraiture
Jacob Paul McCarthy
Trinity College Dublin
Department of History of Art and Architecture
2019
BA
Subject: Painting
Country: Germany, Spain, France, Italy
Period: 15th-17th centuries
10,000 words
An Evaluation of the Leaving Certificate Art History Curriculum ‘A Curriculum forty years in the un-making’
Aoibheann McCarthy
Trinity College Dublin
Department of History of Art and Architecture
2011
BA
Subject: Painting, Drawing and Sculpture
Country: Ireland
Period: 20th and 21st Century
10,000 words
A Study of Stained Glass in Four Drogheda Churches
Sarah McCloskey
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Stained Glass
Country: Ireland
Period: 19th and 20th Century
10,000 words
Sculpture in the Art of Giorgio de Chirico
Alisson Mae McConkey
Trinity College Dublin
Department of History of Art and Architecture
2016
BA
Subject: Painting and Sculpture
Country: Italy and Greece
Century: 20th Century
10,000 words
Body Image Identity and Exploration of the Self: A Case Study into the Work of Niamh Hannaford
Elena McCrory
Trinity College Dublin
Department of History of Art and Architecture
2023
BA
Subject: Painting, Performance art
Country: Ireland
Period: 21st Century
10,000 words
Complexity and Simplicity in the Plan of San Carlo Alle Quattro Fontane
John McCrossan
Trinity College Dublin
Department of History of Art and Architecture
2008
BA
Subject: Architecture
Country: Italy
Period: 17th Century
10,000 words
Gordon Lambert: M'canas of Modern Art
Dara McDermott
Trinity College Dublin
Department of History of Art and Architecture
2006
BA
Subject: Patronage, Painting, Drawing, Sculpture, Print.
Country: Ireland and Europe
Period: 20th and 21st Century
10,000 words
Le Nabi Oublie Mysticism, Primativism and the Feminine in the work of Paul Elie Ranson
Eadaoin McDonagh
Trinity College Dublin
Department of History of Art and Architecture
2018
BA
Subject: Painting
Country: France
Period: 19th and 20th Century
10,000 words
The Crosses of Castledermot: Context, Content and Meaning
Kate McDonald
Trinity College Dublin
Department of History of Art and Architecture
2013
BA
Subject: Sculpture
Country: Ireland
Period: 9th-11th Century
10,000 words
“The Other”- Nineteenth Century Orientalism and its Legacy with Particular Reference to a Contemporary Response by Shirin Neshat
Emma McDonnell
Trinity College Dublin
Department of History of Art and Architecture
2002
BA
Subject: Painting
Country: Western Europe and Iran
Period: 19th and 20th Century
10,000 words
The Architecture of John Roberts
Alyson McDonnell
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Architecture
Country: Ireland
Period: 18th Century
10,000 words
The Campanile at Trinity College, Dublin. A Historic and Stylistic Analysis
Mealla McDonnell
Trinity College Dublin
Department of History of Art and Architecture
1995
BA
Subject: Architecture
Country: Ireland
Period: 19th Century
10,000 words