Hilda Markey
Trinity College Dublin
Department of History of Art and Architecture
2000
BA
Subject: Wood Engraving Country: Ireland Period: 20th Century
10,000 words
Picasso and Matisse A Study of Artistic Choice
Eimear Marley Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Painting, Drawing, Mixed Media, Ceramics, Paper Cut Outs Country: France, Spain Period: 20th Century
10,000 words
Glasnevin House
Andrea Marrinan Trinity College Dublin Department of History of Art and Architecture 2011 BA
Subject: Architecture, Decoration and Stucco Country: Ireland Period: 18th Century
10,000 words
Black Church Print Studio
Carla Marrinan
Trinity College Dublin
Department of History of Art and Architecture
2006
BA
Subject: Print
Country: Ireland
Period: 20th and 21st Century
10,000 words
Sacred Divisions: A Consideration of the Triptych's Survival in Contemporary Art
Rachel Marsden Trinity College Dublin Department of History of Art and Architecture 2012 BA
Subject: Painting and Sculpture Country: Germany, Italy, America and Spain Period: Various
10,000 words
Graphical representation of the child as employed by Alison and Peter Smithson and Aldo van Eyck at the final three CIAM congresses: Explorations in shifting postwar architectural discourse.
Rosemary Marshall Trinity College Dublin Department of History of Art and Architecture 2007 BA
Subject: Architecture Country: France Period: 20th Century
10,000 words
The Temptation of St. Anthony; the Demonic Assaults and Erotic Hallucinations of an Ascetic’s Sensually Starved Soul
Sheena Martin Trinity College Dublin Department of History of Art and Architecture 2005 BA
Subject: Painting Country: Europe Period: Various
10,000 words
Investigating the Design of the Berkley Library
Jane Marie Martin
Trinity College Dublin
Department of History of Art and Architecture
2000
BA
Subject: Architecture
Country: Ireland
Period: 20th Century
10,000 words
Matisse, Painter of Poetry. Mallarmé, Architect of Words. A study of the interrelations of the Arts, with special reference to interpretation, by Henri Matisse, of the poetry of Stéphane Mellarmé
Judith Martin Trinity College Dublin Department of History of Art and Architecture 1997 BA
Subject: Painting and Poetry Country: France Period: 19th and 20th Century
10,000 words
“Stayed by what was, and pulled by what would be”: The Belfast Murals: Their Approach to Iconography and their Ever-changing Role in Today’s Society
Tara Masterson Trinity College Dublin Department of History of Art and Architecture 2008 BA
Subject: Painting Country: Ireland and Northern Ireland Period: 20th Century
10,000 words
W.B.Yeats and the Portrait Frontispiece
Tycho Mays Trinity College Dublin Department of History of Art and Architecture 1992 BA
Subject: Architecture Country: Ireland Period: 19th Century
10,000 words
Painting Happiness: The Utopian Bathing Idylls of Henri-Edmond Cross
Moya Mawhinney Trinity College Dublin Department of History of Art and Architecture 2021 BA
Subject: Painting Country: England Period: 19th and 20th Century
10,000 words
The Representation and Re-presentation of the human body in early 20th century Italian Art
John Mc Aleer
Trinity College Dublin
Department of History of Art and Architecture
2001
BA
Subject: Painting and Sculpture
Country: Italy
Period: 20th Century
10,000 words
Concepts of Ornament: Modern Culture versus Ornament?
Megan Mc Inerney Trinity College Dublin Department of History of Art and Architecture 2015 BA
Subject: Sculpture and Architecture Country: Europe and America Period: 20th Century
10,000 words
First World War Posters in Britain and Ireland
Anna Mc Sweeney Trinity College Dublin Department of History of Art and Architecture 1998 BA
Subject: Posters Country: Britain and Ireland Period: 20th Century
10,000 words
A Catalogue of Collection R.D.81 / 10 at the Irish Architectural Archive
Gregory McAteer Trinity College Dublin Department of History of Art and Architecture 1986 BA
Subject: Architecture Country: Ireland Period: 18th and 19th Century
10,000 words
“Temples of New Entertainment”. The Debate Concerning Cinema Architecture of the Thirties and the Irish Response
Eve McAulay Trinity College Dublin Department of History of Art and Architecture 1993 BA
Subject: Architecture Country: Ireland Period: 20th Century
10,000 words
Fashion Photography - Origins and Expressions
Leoine McCabe
Trinity College Dublin
Department of History of Art and Architecture
2000
BA
Subject: Photography
Country: Europe and America
Period: 20th Century
10,000 words
Michael J. Shorthall and The St. Brendan Capitals
James P. McCabe
Trinity College Dublin
Department of History of Art and Architecture
1981
BA
Subject: Sculpture
Country: Ireland
Period: 19th and 20th Century
10,000 words
Provincialism to Parochialism: John Kindness as a Parochial Artist
Kerry McCall Trinity College Dublin Department of History of Art and Architecture 1992 BA
Subject: Painting Country: Ireland Period: 20th Century
10,000 words
An Evaluation of the Leaving Certificate Art History Curriculum ‘A Curriculum forty years in the un-making’
Aoibheann McCarthy Trinity College Dublin Department of History of Art and Architecture 2011 BA
Subject: Painting, Drawing and Sculpture Country: Ireland Period: 20th and 21st Century
10,000 words
Carlo Cambi and his work in Ireland
Patricia McCarthy
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Woodcarving
Country: Ireland and Italy
Period: 19th Century
10,000 words
On the Other Hand A Study of the Hand in Early Modern Portraiture
Jacob Paul McCarthy Trinity College Dublin Department of History of Art and Architecture 2019 BA
Subject: Painting Country: Germany, Spain, France, Italy Period: 15th-17th centuries
10,000 words
A Study of Stained Glass in Four Drogheda Churches
Sarah McCloskey
Trinity College Dublin
Department of History of Art and Architecture
1999
BA
Subject: Stained Glass
Country: Ireland
Period: 19th and 20th Century