Through the Eye of the Beholder: Examining the Relationship Between Photography and Love
Kirstie North
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2009
MA
Subject: Photography
20,000 words
From Freedom and Ambiguity to Nazi Tradition: the Passage of Female Representation from Compressed Modernist Tradition in Weimar Germany to National Socialist Tradition
Theresa O'Brien
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA
Subject: Art
Country: Germany
Period: Early 20th Century
20,000 words
A Quest for Neo-Primitivism
Fiona O’Keeffe
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Art Movement
Country: Russia
Period: 20th Century
20,000 words
Poet with a Camera: Walker Evans and Documentary Photography in the Great Depression
Laraine O’Connell
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Photography
Country: U.S.A.
Period: 20th Century
20,000 words
A Post-Feminist Reconstructed Art Historical Account of the Art of Oskar Kokoschka and the Influence of Fin de Siècle Antifeminism in Germany upon the Female Imagery of the Artist
Aoife Potter-Cogan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Biography, Painting
Country: Austria
Period: 20th Century
20,000
Albers : Investigating the Semiotic World of Josef Albers’ Art
Katherine Quinlan
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Painting
Country: Europe and U.S.A.
Period: 20th Century
20,000 words
Expanding Engagement with Alternative Spaces: Preservation for Future Aesthetic Consideration in the Working Class Domestic Interior
Sinéad Kathy Rice
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2008
MA
Subject: Interior Architecture
Country: Ireland
20,000 words
Dalí: Surrealism, Psychoanalysis and the Paranoiac-Critical Method
Damian Ruddy
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2007
MA
Subject: Painting
Country: Spain
Period: 20th Century
20,000 words
Failed Utopias of the Avant-Garde in Tacita Dean and William Kentridge
Irish Ella Frances Swift
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA
Subject: Film
Country: South Africa, Britain
Period: 21st Century
20,000 words
"The Artist Who Has His Foot in a History book and an Eye on Himself Can Move, But Not Directly": Time, Memory and Metis in Robert Rauschenberg's XXXIV Drawings for Dante's Inferno
Rachel Warriner
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2010
MA
Subject: Art
Country: U.S.A
Period: 20th Century
20,000 words
The Modern Gallery and its Role in a Viewer's Liminal Experiencing of an Artwork
Fiona White
University College Cork
Faculty of Arts and Celtics Studies' Department of History of Art
2012
MA
Subject: Gallery Display
Period: 21st Century
20,000 words