Education - Theses Register | Irish Georgian Society

The Colonization of the French Nude by the "Other" between 1827 and 1917. The influence of colonial society on the social attitude towards the nude and its description in nineteenth and twentieth century France.

Jeanine Ryan
University College Dublin
School of Art History and Cultural Policy
2007
MA

Subject: painting
Location: Europe
Period: 19th- 20th Century

Supervisor: Dr Philip Cottrell
15,000 words

A Comparative Study of Theatrical Prints Produced in Edo and London During the Eighteenth-Century

Evelyn Ryan
University College Dublin
School of Art History and Cultural Policy
2008
MA

Subject: Prints
Country: London and Edo
Period: 18th Century

Supervisor: Prof. Kathleen James-Chakraborty
15,000 words

Modern Art, the Museum and the Art Market: Contextualising the role of Sergei Ivanovich Shckukin in Early modernism

AnneMarie Saliba
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)

Subject: Shchukin Collection of Modern Art
Country: Russia and Paris
Period: 20th Century

Supervisor: Dr Róisín Kennedy
68 pages

Modern Art, the Museum and the Art Market: Contextualising the Role of Sergei Ivanovich Shckukin in Early Modernism

AnneMarie Saliba
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)

Subject: Shchukin Collection of Modern Art
Country: Russia and Paris
Period: 20th Century

Supervisor: Dr Róisín Kennedy
68 pages

The Court Painter and the Cur: The Impact of Titian on the Painting of Caravaggio

Lindsay Schiller
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Painting
Country: Italy
Period: 16th Century

Supervisor: Dr Philip Cottrell
15,000 words

The New Lens of War Photography: Transition of War-Themed Photojournalism into the Art Gallery and Museum

Victoria M. Schwab
University College Dublin
School of Art History and Cultural Policy
2011
MA

Subject: Photography
Location: world
Period: contemporary

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

The Lure of the Lamps: A discussion of Dublin’s street lamps and their artistic relevance

Darina Sexton
University College Dublin
School of Art History and Cultural Policy
1998
MA

Subject: Street Furniture
Country: Ireland
Period: 19th Century

Supervisor: Dr. Christine Casey
15,000 words

War and Male Interpretations: As Portrayed by Egon Schiele and Francis Bacon

Rachel Sheppard
University College Dublin
School of Art History and Cultural Policy
2015
MA

Subject: Painting
Country: Ireland
Period: 20th Century

Supervisor: Dr Paula Murphy
15,000 words

1950s Flat Housing and Modernism: Dublin and Warsaw Compared and Contrasted

Natalia Sikora
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)

Subject: Architecture
Country: Ireland and Poland
Period: 20th Century

Supervisor: Professor Lynda Mulvin
79 pages

The Sculpture of Michael Warren Stands its Ground

Christine Sisk
University College Dublin
School of Art History and Cultural Policy
2016
MA

Subject: Sculpture
Country: Ireland
Period: 20th and 21st Century

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

Wigs in the Long Eighteenth Century: from an Irish Perspective

Charlotte Slevin
University College Dublin
School of Art History and Cultural Policy
2021
MA (masters thesis)

Subject: Wigs in the 18th Century
Country: Ireland/ Europe
Period: 18th Century

Supervisor: Dr Conor Lucey
127 pages

Wigs in the long Eighteenth Century: from an Irish Perspective

Charlotte Slevin
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)

Subject: Wigs in the 18th Century
Country: Ireland/ Europe
Period: 18th Century

Supervisor: Dr Conor Lucey
127 pages

Painting Vital Visions: Beauty and Brutality in the late work of Titian and Cy Twombly

Monika Smith
University College Dublin
School of Art History and Cultural Policy
2018
MA

Subject: Painting
Country: Italy
Period: 16th Century and 20th Century

Supervisor: Associate Professor John Loughman
15,000 words

Capturing the Unicorn: Gustave Moreau’s Les Licornes (1885)

Hillary Smith
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)

Subject: Painting
Country: France
Period: 19th Century

Supervisor: Dr John Loughman
79 pages

The Divided Memory: the move towards an abstract aesthetic vision in the Holocaust memories of the two Germanies

Helen Smith
University College Dublin
School of Art History and Cultural Policy
1995
MA

Subject: Sculpture
Country: Germany
Period: 20th century

Supervisor: Dr Paula Murphy
15,000 words

The Future of the Past The Documentation Centre at the Bergen-Belsen Memorial in Lower Saxony, Germany: A Study of the Comparative Development of the Commemoration of Vietnam of Nazi Crimes as Depicted in Contemporary Memorial Museums

Carla Soden
University College Dublin
School of Art History and Cultural Policy
2018
MA

Subject: Museums
Country: Germany
Period: 20th Century

Supervisor: Associate Professor Emily Mark-Fitzgerald
15,000 words

Inspiring The Secret of Kells: the animation of The Book of Kells and Irish Insular art

Hannah Spendlove
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)

Subject: Animation/Iconography/Celtic Art
Country: Ireland
Period: 21st Century

Supervisor: Associate Professor Conor Lucey
70 pages

An Irish Artist in Greece: A Study of Nathaniel Hone the Younger’s Artworks of Greece between 1891 and 1892

Anna Stathaki
University College Dublin
School of Art History and Cultural Policy
2024
MA (minor thesis)

Subject: Painting, Landscape
Country: Greece and Ireland
Period: 19th Century

Supervisor: Professor Lynda Mulvin
15,000 words

The Contribution of ‘Sloppy Craft’ to the Changing Dynamics of Craft in Contemporary Art

Ema Staunton
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)

Subject: Textile Art
Country: America and Europe
Period: 21st Century

Supervisor: Dr Conor Lucey
102 pages

Buffalo: Blueprint for the modern American Metropolis

Susan Storey
University College Dublin
School of Art History and Cultural Policy
2012
MA

Subject: Architecture
Country: United States
Period: 19th-20th Century

Supervisor: Professor Kathleen James- Chakraborty
15,000 words

The degree to which the "European city discourse" applied in Dublin docklands

Maike Streit
University College Dublin
School of Art History and Cultural Policy
2014
MA

Subject: Architecture
Country: Ireland
Period: 20th Century

Supervisor: Professor Kathleen James-Chakraborty
15,000 words

A Flesh Perspective: Suzanne Valadon and Jenny Saville

Shauna Sweeney
University College Dublin
School of Art History and Cultural Policy
2012
MA

Subject: Painting
Country: Britain and France
Period: 20th Century

Supervisor: Dr. Philip Cottrell
15,000 words

The Victorian Expansion of Dublin’s South Suburbs – A Case History: St Michael’s College

Annette Sweeney
University College Dublin
School of Art History and Cultural Policy
2009
MA

Subject: Architecture and Decorative Arts
Country: Ireland
Period: 19th Century

Supervisor: Dr. Lynda Mulvin
15,000 words

Kenure Park, Rush, Co Dublin

Eimear Synott
University College Dublin
School of Art History and Cultural Policy
2000
MA

Subject: Architecture
Country: Ireland: Dublin
Period: 18th and 19th Century

Supervisor: Professor Michael McCarthy and Dr. Christine Casey
15,000 words

Education Theses Register —University College Dublin / M.A.

The Colonization of the French Nude by the "Other" between 1827 and 1917. The influence of colonial society on the social attitude towards the nude and its description in nineteenth and twentieth century France.

A Comparative Study of Theatrical Prints Produced in Edo and London During the Eighteenth-Century

Modern Art, the Museum and the Art Market: Contextualising the role of Sergei Ivanovich Shckukin in Early modernism

Modern Art, the Museum and the Art Market: Contextualising the Role of Sergei Ivanovich Shckukin in Early Modernism

The Court Painter and the Cur: The Impact of Titian on the Painting of Caravaggio

The New Lens of War Photography: Transition of War-Themed Photojournalism into the Art Gallery and Museum

The Lure of the Lamps: A discussion of Dublin’s street lamps and their artistic relevance

War and Male Interpretations: As Portrayed by Egon Schiele and Francis Bacon

1950s Flat Housing and Modernism: Dublin and Warsaw Compared and Contrasted

The Sculpture of Michael Warren Stands its Ground

Wigs in the Long Eighteenth Century: from an Irish Perspective

Wigs in the long Eighteenth Century: from an Irish Perspective

Painting Vital Visions: Beauty and Brutality in the late work of Titian and Cy Twombly

Capturing the Unicorn: Gustave Moreau’s Les Licornes (1885)

The Divided Memory: the move towards an abstract aesthetic vision in the Holocaust memories of the two Germanies

The Future of the Past The Documentation Centre at the Bergen-Belsen Memorial in Lower Saxony, Germany: A Study of the Comparative Development of the Commemoration of Vietnam of Nazi Crimes as Depicted in Contemporary Memorial Museums

Inspiring The Secret of Kells: the animation of The Book of Kells and Irish Insular art

An Irish Artist in Greece: A Study of Nathaniel Hone the Younger’s Artworks of Greece between 1891 and 1892

The Contribution of ‘Sloppy Craft’ to the Changing Dynamics of Craft in Contemporary Art

Buffalo: Blueprint for the modern American Metropolis

The degree to which the "European city discourse" applied in Dublin docklands

A Flesh Perspective: Suzanne Valadon and Jenny Saville

The Victorian Expansion of Dublin’s South Suburbs – A Case History: St Michael’s College

Kenure Park, Rush, Co Dublin

Education Theses Register —
University College Dublin / M.A.