Georg Pencz allein: A Sixteenth Century Nuremberg Artist
Maeve McGrath
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting and Prints
Country: Nuremberg
Period: 16th Century
Supervisor: Dr. John Loughman
15,000 words
Gendered Spaces at Castletown House, Co Kildare
Rachel McGuinness
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Ireland
Period: 18th Century
Supervisor: Dr Nicola Figgis
15,000 words
The Science of Poetry. Scientific Analysis in the Paintings of Giorgione and his Circle
Rachael McKenna
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Painting
Country: Europe
Period: 2nd -16th Centuries
Supervisor: Dr. Philip Cottrell
15,000 words
The Influence of Photography on the Painting of Walter Osborne
Denise Meade
University College Dublin
School of Art History and Cultural Policy
2014
MA
Subject: Painting
Country: Ireland
Period: 19th Century
Supervisor: Dr Nicola Figgis
15,000 words
John Lavery’s The Artist’s Studio: Fashioning the Natural as Artifice
Denise Meagher
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)
Subject: Modern/Iconography/Painting/Fashion
Country: Ireland/Britain and Spain
Period: 20th Century
Supervisor: Dr Róisin Kennedy
78 pages
Richard Gorman, Evolution of Style
Philip Meehan
University College Dublin
School of Art History and Cultural Policy
2010
MA
Subject: Painting
Country: Ireland
Period: 21st Century
Supervisor: Dr. Lynda Mulvin
15,000 words
Political Reputation and Glorification in the art of Rubens: A Comparative Study of Allegory in the Medici cycle and the Banqueting House ceiling
Abigail Merker
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Painting
Country: European
Period: 17th Century
Supervisor: Associate Professor John Loughman
56 pages
A Comparative Study of Venus and the Virgin in Secular and Biblical Art
Aisling Molloy
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Painting
Country: Ireland: Dublin
Period: 20th Century
Supervisor: Dr. Lynda Mulvin
15,000 words
Michael Leo Whelan, Royal Hibernian Academy ( 1892-1956)
Geraldine Molloy
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Painting
Country: Ireland
Period: 20th Century
Supervisor: Dr. Nicola Figgis
15,000 word
John Connellan Deane: Professional Advancement through the Cork National Exhibition 1852, the Dublin Art Industry Exhibition 1853, and the Manchester Art Treasures Exhibition 1857
Ciara Moloney
University College Dublin
School of Art History and Cultural Policy
2019
MA (minor thesis)
Subject: Great Exhibition
Country: Ireland
Period: 19th Century
Supervisor: Dr Philip Cottrell
78 pages
Francisco de Goya's Third of May 1808 is a symbol of political oppression around the world. How have contemporary artists made this painting their own
Michelle Monks
University College Dublin
School of Art History and Cultural Policy
2013
MA
Subject: Painting
Country: Ireland
Period: 19th Century
Supervisor: Dr Róisín Kennedy
15,000 words
Grace Gifford Plunkett: Beyond the Tragedy An examination of Grace Grifford Plunkett’s visual propaganda and its role within Irish women’s nationalism
Kathleen Morgan
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Cartoon/ Visual Culture
Country: Ireland
Period: 20th Century
Supervisor: Dr Aleksandra Gajowy
64 pages
Selling Sex: Prostitutes, Mistresses and Courtesans in Seventeenth and Eighteenth-Century British Ar
Isobel Morgan
University College Dublin
School of Art History and Cultural Policy
2022
MA (Minor Thesis)
Subject: Painting
Country: European
Period: 17th and 18th Century
Supervisor: Associate Professor John Loughman
77 pages
The Interpretation of the Symbolism of the Museum Theatre in Byzantine Museums of Greece
Martha Mougtosidou
University College Dublin
School of Art History and Cultural Policy
2023
MA (Minor Thesis)
Subject: Museums and Byzantine Art
Country: Greece
Period: 20th & 21st Century
Supervisor: Dr Sean Leatherbury
72 pages
Graphic Studio Dublin: the Workshop and its Influence on the Irish Art Scene
Ramona Mulcahy
University College Dublin
School of Art History and Cultural Policy
2007
MA
Subject: Prints
Country: America
Period: 20th Century
Supervisor: Dr. John Loughman
15,000 words
Contemporary Jewellery in non-precious material, 1980-2002
Dawn Mulholland
University College Dublin
School of Art History and Cultural Policy
2004
MA
Subject: Jewellery
Period: 20th Century
Supervisor: Dr. Christine Casey
15,000 words
Fine Art at the Great Industrial Exhibition in Dublin in 1853
Sara Mullen
University College Dublin
School of Art History and Cultural Policy
1998
MA
Subject: Painting and Sculpture
Country: Ireland
Period: 19th Century
Supervisor: Dr. Paula Murphy
15,000 words
"To Catch a Glory": A consideration of the four volumes published by the Georgian Society of Domestic Architecture, 1909-1913
Elizabeth Mulvin
University College Dublin
School of Art History and Cultural Policy
2006
MA
Subject: Architecture
Country: Ireland
Period: 20th century
Supervisor: Dr Christine Casey
15,000 words
When art Inspires Fashion: a Study of Yves Saint Laurent’s Irises and Sunflowers Jackets as a Reflection of the 1980s
Maria Muresan Cosma
University College Dublin
School of Art History and Cultural Policy
2020
MA (minor thesis)
Subject: Painting/ Fashion
Country: France
Period: 20th Century
Supervisor: Dr Conor Lucey
105 pages
Daniel Robertson and the Vitalisation of Country House Architecture in Co Wexford
Damian Aidan Murphy
University College Dublin
School of Art History and Cultural Policy
1999
MA
Subject: Architecture
Country: Ireland
Period: 18th and 19th Century
Supervisor: Professor McCarthy
15,000 words
Streams of Influence: the use and control of water in the landscape garden in Europe and Ireland
Ruth Musielak
University College Dublin
School of Art History and Cultural Policy
2008
MA
Subject: Painting
Country: Ireland and Europe
Period: 17th and 18th Century
Supervisor: Dr. Christine Casey
15,000 words
The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin
Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (minor thesis)
Subject: Photography and Aesthetics
Country: European
Period: 20th Century
Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages
The Alchemy of Art: Montage and Reproducibility between Warburg and Benjamin
Victor Naine de Almeida
University College Dublin
School of Art History and Cultural Policy
2021
MA (Minor Thesis)
Subject: Photography and Aesthetics
Country: Europe
Period: 20th Century
Supervisor: Associate Professor Emily Mark-FitzGerald
67 pages
A study of the painting 'St Charles Borromeo and St Michael the Archangel' by Giulio Cesare Procaccini (1574-1625) in the National Gallery of Ireland
Patricia Nash McKenna
University College Dublin
School of Art History and Cultural Policy
1974
MA
Subject: Painting
Country: Italy
Period: Early 17th Century
Supervisor: Professor Francoise Henry
15,000 words